作曲理论的实践与音乐创作的理论——李世相《歌曲伴奏写作技法》理论特色评介
发布时间：2019-05-11 15:54
【摘要】：《歌曲伴奏写作技法》是内蒙古大学艺术学院李世相教授在多年创作和教学经验基础上,撰写的一本关于作曲技术理论方面的专著。该书共分上下两编,上编主要讲述歌曲钢琴伴奏(缩谱)写作问题;下编主要讲述乐队伴奏(总谱)写作问题。其中从歌曲伴奏写作入手,逐步过渡到乐队伴奏写作,进而达到提升多声部音乐创作能力的目的,是本书的最大亮点。
[Abstract]:Song accompaniment Writing technique is a monograph on the theory of composition technology written by Professor Li Shixiang of the School of Art of Inner Mongolia University on the basis of many years of creation and teaching experience. The book is divided into two parts, the first is mainly about the song piano accompaniment (abbreviated spectrum) writing, and the next is about the band accompaniment (general spectrum) writing. Among them, starting with song accompaniment writing, gradually transition to band accompaniment writing, and then achieve the purpose of improving the ability of multi-vocal music creation, is the biggest bright spot of this book.
【作者单位】： 内蒙古大学艺术学院;
【分类号】：J614.5
[Abstract]:Song accompaniment Writing technique is a monograph on the theory of composition technology written by Professor Li Shixiang of the School of Art of Inner Mongolia University on the basis of many years of creation and teaching experience. The book is divided into two parts, the first is mainly about the song piano accompaniment (abbreviated spectrum) writing, and the next is about the band accompaniment (general spectrum) writing. Among them, starting with song accompaniment writing, gradually transition to band accompaniment writing, and then achieve the purpose of improving the ability of multi-vocal music creation, is the biggest bright spot of this book.
【作者单位】： 内蒙古大学艺术学院;
【分类号】：J614.5
【共引文献】
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8 郝s，
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