上海爵士乐本土化研究

发布时间：2018-03-23 12:08

本文选题：上海　切入点：爵士乐　出处：《上海师范大学》2005年硕士论文

【摘要】：一本文的研究目的,旨在限定上海为调查研究地域范围的情况下,通过对其本土化爵士乐的产生基础、条件以及此类音乐作品中爵士乐元素与中国传统音乐元素结合手法的分别研究,揭示爵士乐本土化的过程,并探求这一过程所体现的音乐人类学意义。二本文的研究采用了文献参考、田野调查与音乐分析相结合的方法。三本文填补了国内学术界研究的空白、突破了国外学术界对上海爵士乐研究的局限。本文的价值主要有以下几个方面: 1、本文以本土化为切入点的独特视角,使得爵士乐作为异域音乐文化在上海这个新环境下的生存、保留与变化问题一目了然;从20 世纪二十年代至今的研究时间跨度,最大化地展示了爵士乐在上海本土化的发展情况与脉络;对上海所体现的本土化爵士乐作品的产生基础、条件、以及本土化爵士作品的本体分析,体现了笔者的独到见解。 2、笔者采集的案例本身的具有相当的史料价值。 3、本文运用了“从材料到理论”的调研式的研究方法。
[Abstract]:One. The purpose of this paper is to limit the scope of investigation and study in Shanghai, through the foundation of its localization jazz. The conditions and the methods of combining jazz elements with Chinese traditional music elements in this kind of musical works reveal the process of jazz localization and explore the significance of musical anthropology embodied in this process. Two. This paper adopts the method of literature reference, field investigation and music analysis. Three. This paper fills up the gaps in the domestic academic research and breaks through the limitations of the foreign academic circles on the study of Shanghai jazz. The value of this paper mainly includes the following aspects:. 1. From the perspective of localization, this paper makes the survival, preservation and change of jazz as a foreign music culture in Shanghai clear at a glance. It maximizes the development and context of jazz localization in Shanghai, and reflects the author's original opinion on the foundation, conditions and Noumenon analysis of the indigenized jazz works embodied in Shanghai. 2, the case itself collected by the author has considerable historical value. 3. The research method of "from material to theory" is used in this paper.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J605

【引证文献】