宛梆唱腔艺术特色探析

发布时间：2018-03-23 13:24

本文选题：宛梆　切入点：大本嗓　出处：《河南大学》2005年硕士论文

【摘要】：本文从宛梆剧种的渊源与流变、唱腔艺术特色、演唱风格特点三方面初步探索了宛梆的唱腔风格。全文除了序言与结语外,共分为四个部分。第一部分为宛梆声腔的来源形成及剧目特色。从诸多可考文章以及艺人所述,论证了宛梆的渊源及其主要剧目。在这一章里,笔者综合相关史料和艺人相传的口碑深入分析研究,清楚地证明:宛梆是明末清初由陕西东路秦腔(同州梆子)流入南阳,融以当地的民歌小调、乡音俚语,逐渐形成的一个地方剧种,南阳特有的文化积淀,孕育了它独一无二的艺术风格,流传演绎,至今已有三百余年的历史。第二部分比较详细地梳理了宛梆的唱腔结构与特点,总结归纳为“九腔十八调”,并分别举例加以分析说明。第三部分研究了宛梆的演唱风格。宛梆的正宗唱法是大本腔带“拉嗓”(即花腔),强调丹田支持、注重吐字发音、表演逼真,这一部分,分别从吐字呼吸、行腔表演几方面阐述了宛梆的演唱方法和技巧。第四部分将宛梆的代表人物分为三个时期,分别介绍其演唱风格。
[Abstract]:This paper explores Wan Bang's singing style from three aspects: the origin and evolution of Wan Bang opera, the artistic characteristics of singing and the characteristics of singing style. In addition to the preface and the conclusion, the full text is divided into four parts. The first part is the origin of Wan Bang and the characteristics of its repertoire. It demonstrates the origin of Wan Bang and its main repertoire from many examinable articles and artists. In this chapter, the author synthesizes the related historical data and the word-of-mouth word of mouth handed down by the artists, and clearly proves that Wan Bang is flowing into Nanyang from Qin Opera (Tongzhou Bangzi) in the late Ming and early Qing dynasties, and melts with the local folk song minor and local sound slang. Gradually formed a local drama, Nanyang unique cultural accumulation, gave birth to its unique artistic style, spread and deduce, has been more than 300 years of history. The second part combs the singing structure and characteristics of Wan Bang in detail, summarizes it as "Nine tune Eighteen tones", and analyzes and explains it with examples. The third part studies Wan Bang's singing style. Wan Bang's authentic singing method is that the original singing method of Wan Bang is to bring a "pull throat" (that is, a flower cavity) with a "throat" (that is, a flower cavity), emphasizing the support of Dantian, paying attention to pronunciation of words, performing lifelike, this part, breathing from spelling, respectively. This paper expounds the singing methods and techniques of Wan Bang in several aspects. In the fourth part, the representative characters of Wan bang are divided into three periods and their singing styles are introduced respectively.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J617.5

【引证文献】