多维视野下土耳其玛卡姆音乐“韵味”的思考
发布时间：2018-07-24 11:04
【摘要】：玛卡姆是阿拉伯-伊斯兰的重要音乐文化现象,它缘起阿拔斯王朝500年,地理上即现在的伊拉克巴格达,而土耳其玛卡姆经过了奥斯曼帝国600年的发展,将玛卡姆发展到更为精致的水平,其"韵味"是它音乐流派风格的重要体现。本文首先介绍了土耳其玛卡姆音乐的"韵味"及其音乐表现形态,并将此与中国与印度音乐的"味论"及其音乐的哲学美学认知方式相联系,力图引起人们对于东西方音乐哲学美学差异性的关注,以期对中国音乐传统流派风格"韵味"的当代文化价值以及可持续发展有重新的思考。
[Abstract]:Makam is an important musical and cultural phenomenon in Arab-Islamic history. It originated in the 500 years of the Abbey dynasty, geographically in Baghdad, Iraq, and in Turkey, after 600 years of development of the Ottoman Empire. To develop Makam to a more refined level, its "charm" is an important embodiment of its music genre. This paper first introduces the "flavor" of Turkish Makam music and its musical expression, and links it with the "taste theory" of Chinese and Indian music and the philosophical and aesthetic cognitive style of music. This paper tries to arouse people's attention to the differences between eastern and western musical philosophy and aesthetics, with a view to rethinking the contemporary cultural value and sustainable development of the traditional style of Chinese music.
【作者单位】： 南京艺术学院音乐学研究所;
【分类号】：J607
[Abstract]:Makam is an important musical and cultural phenomenon in Arab-Islamic history. It originated in the 500 years of the Abbey dynasty, geographically in Baghdad, Iraq, and in Turkey, after 600 years of development of the Ottoman Empire. To develop Makam to a more refined level, its "charm" is an important embodiment of its music genre. This paper first introduces the "flavor" of Turkish Makam music and its musical expression, and links it with the "taste theory" of Chinese and Indian music and the philosophical and aesthetic cognitive style of music. This paper tries to arouse people's attention to the differences between eastern and western musical philosophy and aesthetics, with a view to rethinking the contemporary cultural value and sustainable development of the traditional style of Chinese music.
【作者单位】： 南京艺术学院音乐学研究所;
【分类号】：J607
【相似文献】
相关期刊论文 前10条
1 泮洪;非洲音乐的传统及其新发展[J];人民音乐;1983年06期
2 拓植原一 ,黄炳琦;音乐的传播和变异——学习和记录亚洲传统音乐中一个值得注意的问题[J];中国音乐;1984年01期
3 王次p，
本文编号：2141172
本文链接：https://www.wllwen.com/wenyilunwen/qiyueyz/2141172.html
