巍山县青云村彝族打歌研究

发布时间：2018-08-02 11:49

【摘要】：“村村寨寨篝火红,山山岭岭踏歌声,一支山头一个调,一片树叶一份情。”充分反映了巍山县青云村彝族打歌浓郁的民族民间文化气息,和巍山彝族人民对打歌的赤诚与衷情之心。对“巍山县青云村彝族打歌”研究过程中,由于本人在民族民间音乐中几十年“浸泡”的经历,和对民族乐器的敏感洞察力,发现了当地打歌中使用的五管芦笙乐器,在民族音乐中是独特别致、独树一帜的活化石。①故在第二章中,本文以芦笙器乐研究为核心,对芦笙制作、音律、音色、乐曲、和声、演奏、传承等作了全面而系统的剖析与研究。无论是五管芦笙的独特、典型、新颖、独到的“混声”或“和声”,还是pu (?)11(芦笙)、tci Li55(笛子)、(?)(?)33(唢呐)等多声部、多调性,多线条、多旋律的“混溶”歌舞乐,都充分体现“巍山县青云村彝族打歌”音乐的“惫乒不同”的哲学思想与理念。②本章还从律学、声学、材料学和音乐学等角度出发,对tci Li55、(?)33制作、演奏、乐曲进行全方位剖析、挖掘与研究。③在第三章中,p(?) (?)(彝语歌)是“巍山县青云村彝族打歌”中使用彝语演唱的彝族歌。当地村民很少讲汉语,日常用语以彝语为主,打歌调中皆用彝语演唱。为了对打歌调进行更加精准而深刻的研究,本人在原有的基础上加强学习了“巍山县彝族语言”,并用国际民族音标将其打歌调记录了下来,并作了汉语译注、分析、归纳和总结。④多年来,不少学者研究过“巍山彝族打歌”,但对打歌中的pε (?)、(?)、(?)、(?)(?)33音乐从未做过记录,本文用乐谱详尽地对青云村彝族打歌记录、分析与研究实属首例。此外,在第四章打歌的其他要素挖掘中,如：a tha53(官刀)、a to Li533(火龙)等用文字方式采集、记录和研究也属首次。总之,“巍山县青云村彝族打歌”音乐,从表面上看各声部、各段落之间,是各自独立、互不相关的旋律线条,其实相反,它们互相间是有紧密之内在联系性的。它们都以气氛、节奏、速度、多调式主音和弦构置、十二生肖、信仰、信念、情感等作为纽带,按一定的方式架构而成,使整场打歌形成“形散而神不散”的有机统一体,造就了千年不衰的民间艺术奇葩。
[Abstract]:"the campfire in the village is red, the mountains are singing, one mountain top and one tune, one leaf and one feeling." It fully reflects the rich folk culture of Yi people in Qingyun Village, Weishan County, and the sincerity and affection of Yi people in Weishan County. In the course of the research on "Yi people playing songs in Qingyun Village, Weishan County", due to my experience of "soaking" in folk music for several decades and his sensitive insight into national musical instruments, I found five Lusheng instruments used in local playing songs. It is unique and unique in folk music. Therefore, in the second chapter, this paper focuses on the research of Lusheng instrument, and makes, rhythms, timbre, music, harmony, and plays on the Lusheng, the music, the music and the music. Inheritance and other comprehensive and systematic analysis and research. Whether it is the unique, typical, novel, unique "mixed sound" or "harmony" of the five-tube Lusheng, or the "mixed" singing and dancing music of pu (?) 11 (Lusheng) tci Li55 (), (?) 33 (suona) and so on. Both fully embody the philosophical thought and idea of "exhausted ping different" in the music of "Yi people playing songs in Qingyun Village, Weishan County." this chapter also makes and plays tci Li55, (?) 33 from the angles of law, acoustics, materials and musicology. Music analysis, excavation and research in the third chapter of the p (?) Yi song is a Yi song sung in Yi language in Qingyun Village, Weishan County. The local villagers seldom speak Chinese, the daily language is mainly Yi, and the songs are sung in Yi. In order to make a more accurate and profound study on the tune of playing songs, I have strengthened my study of the language of Yi nationality in Weishan County on the basis of the original study, recorded it with the international national phonetic alphabet, and made a Chinese translation and analysis. In the past 4 years, many scholars have studied "Weishan Yi people playing songs", but the music of p 蔚 (?), (?) 33 has never been recorded. In this paper, the music records of Yi people in Qingyun Village are analyzed and studied in detail, which is the first case. In addition, it is the first time in the fourth chapter to dig up other elements of singing, such as: a tha53 (official Dao) a to Li533 (Fire Dragon) by means of text collection, recording and research. In a word, the music of the Yi people in Qingyun Village, Weishan County, on the surface, is an independent and unrelated melodic line between each paragraph. On the contrary, they are closely related to each other. They are all constructed by atmosphere, rhythm, speed, multi-tone dominant chords, zodiac signs, beliefs, emotions, and so on, and are structured in a certain way to form an organic unity of "form scattered but God does not disperse." Has created a thousand years of folk art wonderful flowers.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J607

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