阿尔班.贝尔格《小提琴协奏曲》研究：语境、分析、诠释
发布时间：2018-11-20 21:13
【摘要】：奥地利作曲家阿尔班·贝尔格最后一部完整作品《小提琴协奏曲》,是20世纪最杰出的作品之一。本论文立足于多重视角对该作品进行综合性的分析和探究。全文共分为五个章节。第一章关注的是贝尔格进行创作时所面临的社会-历史环境、作曲家在十二音技术方面的准备情况,以及该协奏曲的创作背景和过程;第二章论述作品中折射出的浪漫主义余辉和风格混成的音乐风格元素,以及协奏曲的体裁形式规定在20世纪语境中的情况;第三章是对该作品独特的序列及其自由十二音语言的分析和归纳;第四章是在作品的整体构架中对各主题材料和音乐进程予以综合性的梳理;第五章在之前的基础上,进一步探讨和诠释作品的标题性、人文寓意和审美内涵,揭示出贝尔格运用高度严谨的形式结构、数字象征、“主导节奏”等写作技术的内容意涵和作曲家所持有的虔诚的宗教情怀。由此得出结论,《小提琴协奏曲》在运用十二音音乐语言的基础上,融合了传统的调性因素,甚至直接引录巴赫的众赞歌和奥地利卡林西亚民歌作为素材,同时携带当时的多种音乐风格元素,并以高度的独创性予以综合,从而充分地体现了贝尔格成熟时期创作中兼收并蓄的典型特征。
[Abstract]:Albin Berg, the last complete work of the Austrian composer, Violin Concerto, is one of the most outstanding works of the 20th century. This thesis is based on the comprehensive analysis and exploration of this work from multiple perspectives. The full text is divided into five chapters. The first chapter focuses on the social-historical environment that Berg faced when he created, the preparation of the composer in the technical aspect of twelve notes, and the background and process of the concerto's creation. The second chapter discusses the Romantic afterglow reflected in the works and the music style elements mixed with style, as well as the style of Concerto in the context of the 20th century. The third chapter is the analysis and induction of the unique sequence of the work and its free 12-tone language, the fourth chapter is a comprehensive combing of the theme materials and the music process in the overall framework of the work. On the basis of the previous chapter, the fifth chapter further discusses and interprets the title, humanistic implication and aesthetic connotation of the works, and reveals Berg's highly rigorous formal structure and digital symbol. The content of writing techniques such as dominant Rhythm and the religious feelings held by composers. It is concluded that the Violin Concerto, based on the use of the twelve tone musical language, combines the traditional tonality factors, and even draws directly from Bach's hymn and the Austrian Karinthian folk song as the material. At the same time, it carries various musical style elements at that time, and synthesizes them with high originality, which fully reflects the typical characteristics of Berg's creation in his mature period.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J614.3
本文编号：2346044
[Abstract]:Albin Berg, the last complete work of the Austrian composer, Violin Concerto, is one of the most outstanding works of the 20th century. This thesis is based on the comprehensive analysis and exploration of this work from multiple perspectives. The full text is divided into five chapters. The first chapter focuses on the social-historical environment that Berg faced when he created, the preparation of the composer in the technical aspect of twelve notes, and the background and process of the concerto's creation. The second chapter discusses the Romantic afterglow reflected in the works and the music style elements mixed with style, as well as the style of Concerto in the context of the 20th century. The third chapter is the analysis and induction of the unique sequence of the work and its free 12-tone language, the fourth chapter is a comprehensive combing of the theme materials and the music process in the overall framework of the work. On the basis of the previous chapter, the fifth chapter further discusses and interprets the title, humanistic implication and aesthetic connotation of the works, and reveals Berg's highly rigorous formal structure and digital symbol. The content of writing techniques such as dominant Rhythm and the religious feelings held by composers. It is concluded that the Violin Concerto, based on the use of the twelve tone musical language, combines the traditional tonality factors, and even draws directly from Bach's hymn and the Austrian Karinthian folk song as the material. At the same time, it carries various musical style elements at that time, and synthesizes them with high originality, which fully reflects the typical characteristics of Berg's creation in his mature period.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J614.3
【引证文献】
相关硕士学位论文 前2条
1 赵洁;高度的逻辑控制与强烈的戏剧情感表现[D];天津音乐学院;2007年
2 宋方方;女性主义视角下的露露音乐形象分析[D];福建师范大学;2008年
，本文编号：2346044
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