瓦格纳《诸神的黄昏》间奏音乐研究
发布时间：2018-11-27 17:45
【摘要】： 本文从音乐史学的角度结合音乐分析学方法,以音乐的“主导动机”、脚本分析为入手点,对瓦格纳《诸神黄昏》及其间奏音乐进行了以下三方面的研究: 1.收集整理挖掘出歌剧史上间奏音乐的三次蜕变,阐述了歌剧间奏音乐的历史演进; 2.通过音乐“主导动机”的分析,结合间奏音乐的历史演进,发现瓦格纳的《诸神黄昏》间奏音乐具有以往歌剧中所不具备的戏剧功能:暗示功能、连接功能、描绘剧情的功能。 3.探讨了《诸神黄昏》及其间奏音乐中体现的瓦格纳思想观及歌剧改革实践。 本文得出结论:瓦格纳是歌剧史上第一个真正赋予歌剧间奏音乐实质性戏剧功能的作曲家,他确立了现代歌剧间奏音乐的结构功能。他对歌剧间奏音乐的革新影响了同时代的作曲家。在现代歌剧作品中间奏音乐以它独特的戏剧功能成为作曲家重视的歌剧结构部分。 本文以间奏音乐为契机探究了瓦格纳的歌剧改革的具体实践,探讨了瓦格纳复杂的人生哲学观,且在一定程度上弥补了歌剧史上人们对间奏音乐研究的不足。这也正是笔者研究的意义所在。
[Abstract]:From the point of view of music history, this paper combines the method of music analysis, taking the "dominant motive" of music and script analysis as the starting point. The following three aspects of Wagner's Twilight of the Gods and their interlude music are studied: 1. Collecting and sorting out three transmutations of interleaver music in the history of opera, expounding the historical evolution of interoperatic music; 2. Through the analysis of the "dominant motive" of music and the historical evolution of interplay music, it is found that the interlude music of Wagner's "Twilight of the gods" has some dramatic functions which were not found in previous operas: hint function, connection function and plot description function. 3. This paper probes into the Wagner's ideology and the practice of opera reform embodied in the Twilight of the gods and its interlude music. This paper concludes that Wagner is the first composer in the history of opera to truly endow the substantive dramatic function of interoperatic music, and he has established the structural function of modern interoperatic music. His innovation in interoperatic music influenced contemporary composers. In modern operatic works, interplay music has become an important part of opera structure for its unique dramatic function. This paper explores the practical practice of Wagner's opera reform, discusses Wagner's complex philosophy of life and, to some extent, makes up for the deficiency in the study of interlude music in the history of opera. This is also the significance of the author's research.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J609.5
本文编号：2361582
[Abstract]:From the point of view of music history, this paper combines the method of music analysis, taking the "dominant motive" of music and script analysis as the starting point. The following three aspects of Wagner's Twilight of the Gods and their interlude music are studied: 1. Collecting and sorting out three transmutations of interleaver music in the history of opera, expounding the historical evolution of interoperatic music; 2. Through the analysis of the "dominant motive" of music and the historical evolution of interplay music, it is found that the interlude music of Wagner's "Twilight of the gods" has some dramatic functions which were not found in previous operas: hint function, connection function and plot description function. 3. This paper probes into the Wagner's ideology and the practice of opera reform embodied in the Twilight of the gods and its interlude music. This paper concludes that Wagner is the first composer in the history of opera to truly endow the substantive dramatic function of interoperatic music, and he has established the structural function of modern interoperatic music. His innovation in interoperatic music influenced contemporary composers. In modern operatic works, interplay music has become an important part of opera structure for its unique dramatic function. This paper explores the practical practice of Wagner's opera reform, discusses Wagner's complex philosophy of life and, to some extent, makes up for the deficiency in the study of interlude music in the history of opera. This is also the significance of the author's research.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J609.5
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