拉赫玛尼诺夫钢琴前奏曲研究
发布时间：2018-11-28 18:42
【摘要】：19世纪末20世纪初是浪漫主义音乐走向现代主义音乐的转变时期,拉赫玛尼诺夫却依然在坚守浪漫主义的创作风格。笔者发现现有对拉赫玛尼诺夫钢琴前奏曲的研究大多是对前奏曲本体及构成形式进行的分析,不重视和忽略了对他前奏曲所处的历史环境、社会文化形态对其构成与艺术风格的影响。笔者试图对拉赫玛尼诺夫钢琴前奏曲进行兼顾音乐内涵的社会历史分析和本体艺术分析,并得出指导演奏的理论依据。 全文共分四章。第一章阐述钢琴前奏曲的定义和历史发展脉络以及拉赫玛尼诺夫的生平经历和所有作品的简单介绍。第二章概述拉赫玛尼诺夫钢琴前奏曲创作的所有相关背景,以及前奏曲在钢琴艺术史上的地位,为后面的论述提供理论基础。第三章是在第二、三章研究的基础上从六个方面,通过大量的谱例全面分析拉赫玛尼诺夫前奏曲的风格特征,是本文的重点。第四章是结语,是对本文研究内容的收束和总结。 本文的最大特点在于把前奏曲的基本知识和具体历史时期社会、文化以及美学、哲学等音乐内涵的知识具体融入到拉赫玛尼诺夫的钢琴前奏曲的研究中。本课题的研究对拓宽拉赫玛尼诺夫钢琴前奏曲的理论认识,并将这种认识运用到对拉赫玛尼诺夫前奏曲的演奏上具有一定的指导意义和实践意义。
[Abstract]:The end of the 19th century and the beginning of the 20th century was the transition period from romantic music to modernist music, but Rachmaninov still adhered to the romantic style of creation. The author finds that most of the existing researches on Rachmaninov's piano prelude are mainly about the analysis of the prelude itself and its constituent form, without paying attention to and neglecting the historical environment in which the prelude to Rachmaninov is located. The influence of social and cultural forms on its composition and artistic style. The author tries to make a social and historical analysis of Rachmaninov's piano prelude, which takes into account the connotation of music, and an analysis of Noumenon art, and obtains the theoretical basis for guiding performance. The full text is divided into four chapters. The first chapter describes the definition and historical development of piano prelude as well as Rachmaninov's life experience and a brief introduction of all his works. The second chapter summarizes the background of Rachmaninov's piano prelude and the position of the prelude in the history of piano art. The third chapter is based on the study of the second and third chapters, from six aspects, through a large number of spectral examples of comprehensive analysis of the style of Rachmaninov prelude, is the focus of this paper. The fourth chapter is the conclusion, which is the collection and summary of the content of this paper. The main characteristic of this paper is that the basic knowledge of the prelude and the knowledge of social, cultural, aesthetic, philosophical and other musical connotations in the specific historical period are incorporated into the study of Rachmaninov's piano prelude. The research of this subject has certain guiding and practical significance for broadening the theoretical understanding of Rachmaninov's piano prelude and applying it to the performance of Rachmaninov's prelude.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614
本文编号：2363912
[Abstract]:The end of the 19th century and the beginning of the 20th century was the transition period from romantic music to modernist music, but Rachmaninov still adhered to the romantic style of creation. The author finds that most of the existing researches on Rachmaninov's piano prelude are mainly about the analysis of the prelude itself and its constituent form, without paying attention to and neglecting the historical environment in which the prelude to Rachmaninov is located. The influence of social and cultural forms on its composition and artistic style. The author tries to make a social and historical analysis of Rachmaninov's piano prelude, which takes into account the connotation of music, and an analysis of Noumenon art, and obtains the theoretical basis for guiding performance. The full text is divided into four chapters. The first chapter describes the definition and historical development of piano prelude as well as Rachmaninov's life experience and a brief introduction of all his works. The second chapter summarizes the background of Rachmaninov's piano prelude and the position of the prelude in the history of piano art. The third chapter is based on the study of the second and third chapters, from six aspects, through a large number of spectral examples of comprehensive analysis of the style of Rachmaninov prelude, is the focus of this paper. The fourth chapter is the conclusion, which is the collection and summary of the content of this paper. The main characteristic of this paper is that the basic knowledge of the prelude and the knowledge of social, cultural, aesthetic, philosophical and other musical connotations in the specific historical period are incorporated into the study of Rachmaninov's piano prelude. The research of this subject has certain guiding and practical significance for broadening the theoretical understanding of Rachmaninov's piano prelude and applying it to the performance of Rachmaninov's prelude.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614
【引证文献】
相关期刊论文 前1条
1 刘嘉;;关于钢琴演奏中音阶弹奏技巧的讨论[J];才智;2011年10期
相关硕士学位论文 前5条
1 李筱艾;拉赫玛尼诺夫浪漫曲钢琴部分研究[D];沈阳师范大学;2011年
2 徐励成;试论拉赫玛尼诺夫歌剧《阿列科》中“阿列科”的艺术形象[D];上海师范大学;2011年
3 阮媛媛;拉赫玛尼诺夫《24首钢琴前奏曲》音响版本比较研究[D];福建师范大学;2011年
4 李娜;双钢琴音乐初步研究及个案分析[D];西安音乐学院;2008年
5 许颖艺;浪漫主义时期钢琴前奏曲的研究及在钢琴教学中的运用[D];上海音乐学院;2012年
，本文编号：2363912
本文链接：https://www.wllwen.com/wenyilunwen/qiyueyz/2363912.html
