钢琴协奏曲《黄河》的和声研究
发布时间：2018-12-06 09:47
【摘要】：在“文革”期间的20世纪60年代末,由殷承宗、储望华、盛礼洪、刘庄根据冼星海《黄河大合唱》改编、首演于1970年的钢琴协奏曲《黄河》,在当时曾经轰动一时,而且自“文革”结束后至今一直在包括港台地区在内的国内外不断获得演出,已成为20世纪中国钢琴协奏曲中被公演次数最多、出版乐谱和录制音响音像数量最大、传播面最广的作品[1],这源于作品本身音乐上表现出的具有冲击力的气势以及久远的中国历史和不屈不挠的民族精神,这也反映了这部作品的重要地位和巨大的历史影响力以及音乐界和社会公众对它的重视。 目前,对这部作品的研究,或是单纯描述其创作过程,或是对其不同版本的争论,抑或是在一些综合论述中国交响音乐的专著或论文中有所涉及,多泛泛的总体评论而缺少专论性的论文和著作,尤其缺少对作品和声方面的分析,本文正是基于这种考虑,以五声性旋律与功能和声的融合为切入点,从和弦形态、终止式、相同调式旋律的不同和声配置、“起承转合”式套曲结构与功能和声布局的融合四个方面对这部作品的和声技法做了一次深入地分析,使我们对这部作品的艺术价值认定更有说服力。 由于作品所处的特殊历史时期——“文革”,只有在深入了解、把握其文化背景的基础上,才能对作品作出正确的剖析论证,本文第一章就是从钢琴协奏曲《黄河》创作的时代及其文化背景、基础及曲式结构方面进行了阐述,第二章是本文的重点——和声分析,第三章是对作品蕴含的深层文化内涵和历史意义进行了阐释。
[Abstract]:At the end of the 1960s during the Cultural Revolution, Yin Chengzong, Chu Wanghua, Sheng Lihong, and Liu Zhuang, adapted from Xian Xinghai's the Yellow River Chorus, premiered on the 1970 Piano Concerto, Yellow River, which was a hit at that time. Since the end of the "Cultural Revolution," it has been continuously performing at home and abroad, including Hong Kong and Taiwan. It has become the most frequently performed piano concerto in China in the 20th century, with the largest number of music and audio recordings published. The most widely disseminated works [1] stem from the impact of the music of the work itself, as well as the long history of China and the indomitable spirit of the nation. This also reflects the importance and great historical influence of the work, as well as the importance of the music industry and the public. At present, the study of this work is either simply to describe the process of its creation, or to argue about different versions of it, or to be covered in some monographs or papers that comprehensively discuss Chinese symphony music. There are many general comments and lack of monographic papers and works, especially the analysis of harmony of works. Based on this consideration, this paper takes the fusion of pentatonic melodies and functional harmonies as the starting point and ends from the form of chords. Different harmonic arrangements of the same tone melody, the integration of the structure and function of the "starting and taking over" style and the layout of the harmony, has made an in-depth analysis of the harmony techniques of this work. It makes us more persuasive about the artistic value of this work. Due to the special historical period in which the works are located, the Cultural Revolution, only on the basis of deeply understanding and grasping its cultural background, can the works be correctly analyzed and demonstrated. The first chapter of this article is from the piano concerto "Yellow River" creation time and the cultural background, the foundation and the musical form structure aspect has carried on the elaboration, the second chapter is this article focal point-harmony analysis, The third chapter explains the deep cultural connotation and historical significance of the works.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614.1
本文编号：2365846
[Abstract]:At the end of the 1960s during the Cultural Revolution, Yin Chengzong, Chu Wanghua, Sheng Lihong, and Liu Zhuang, adapted from Xian Xinghai's the Yellow River Chorus, premiered on the 1970 Piano Concerto, Yellow River, which was a hit at that time. Since the end of the "Cultural Revolution," it has been continuously performing at home and abroad, including Hong Kong and Taiwan. It has become the most frequently performed piano concerto in China in the 20th century, with the largest number of music and audio recordings published. The most widely disseminated works [1] stem from the impact of the music of the work itself, as well as the long history of China and the indomitable spirit of the nation. This also reflects the importance and great historical influence of the work, as well as the importance of the music industry and the public. At present, the study of this work is either simply to describe the process of its creation, or to argue about different versions of it, or to be covered in some monographs or papers that comprehensively discuss Chinese symphony music. There are many general comments and lack of monographic papers and works, especially the analysis of harmony of works. Based on this consideration, this paper takes the fusion of pentatonic melodies and functional harmonies as the starting point and ends from the form of chords. Different harmonic arrangements of the same tone melody, the integration of the structure and function of the "starting and taking over" style and the layout of the harmony, has made an in-depth analysis of the harmony techniques of this work. It makes us more persuasive about the artistic value of this work. Due to the special historical period in which the works are located, the Cultural Revolution, only on the basis of deeply understanding and grasping its cultural background, can the works be correctly analyzed and demonstrated. The first chapter of this article is from the piano concerto "Yellow River" creation time and the cultural background, the foundation and the musical form structure aspect has carried on the elaboration, the second chapter is this article focal point-harmony analysis, The third chapter explains the deep cultural connotation and historical significance of the works.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614.1
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