瓦格纳两首歌剧咏叹调的艺术特征及其演唱处理
发布时间：2019-01-05 16:36
【摘要】： 论文选择理夏德·瓦格纳(Wagner)的《伊丽莎白咏叹调》(DICH,TEURE HALLE)和《爱尔莎之梦》(EINSAM IN TRUBEN TAGEN)作为研究对象。通过相关的图书馆、互联网等多种渠道检索并收集有关瓦格纳的这两首歌剧咏叹调的资料,对所收集到的材料进行分类整理和归纳,从文献资料、乐谱资料、音响资料中进行分析和研究。从这两首咏叹调的创作背景、艺术特征、和演唱处理三个方面作出全面、系统地分析。深入、系统地研究这两首咏叹调在瓦格纳歌剧创作中所体现的创作美学思想、题材内容、历史地位;分析了这两首咏叹调的感情表现特征、旋律写作特征、和声处理及曲式结构特征、伴奏织体特征;力求把握这两首咏叹调的演唱风格、情绪、语言、以及与伴奏配合特点。通过分析介绍使读者了解瓦格纳精湛的歌剧创作创作手法。力争使本文成为深入系统地分析、研究介绍瓦格纳作品的创作特色及演唱要点的文章,成为对瓦格纳作品进行教学与研究有价值的参考资料。
[Abstract]:This paper chooses Ryszard Wagner's DICH,TEURE HALLE and (EINSAM IN TRUBEN TAGEN) of Ryszard Wagner as the research object. Through the relevant libraries, the Internet and other channels to retrieve and collect information about the arias of the two operas of Wagner, the collected materials are sorted out and summarized, from the literature, music, music and music. Sound data analysis and research. This paper makes a comprehensive and systematic analysis of the creation background, artistic characteristics and singing processing of the two arias. Deeply and systematically studies the creation esthetics thought, the subject matter content, the historical position which the two arias embody in the Wagner opera creation; This paper analyzes the characteristics of emotion, melody writing, harmony processing and musical structure, and the texture of accompaniment of the two arias, and tries to grasp the singing style, emotion, language, and coordination with accompaniment of the two arias. Through the analysis of the introduction to let the reader understand Wagner's exquisite opera creation techniques. To make this article a deep and systematic analysis, to study and introduce the creative characteristics of Wagner's works and the main points of singing, to become a valuable reference for teaching and research of Wagner's works.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616.2
本文编号：2402027
[Abstract]:This paper chooses Ryszard Wagner's DICH,TEURE HALLE and (EINSAM IN TRUBEN TAGEN) of Ryszard Wagner as the research object. Through the relevant libraries, the Internet and other channels to retrieve and collect information about the arias of the two operas of Wagner, the collected materials are sorted out and summarized, from the literature, music, music and music. Sound data analysis and research. This paper makes a comprehensive and systematic analysis of the creation background, artistic characteristics and singing processing of the two arias. Deeply and systematically studies the creation esthetics thought, the subject matter content, the historical position which the two arias embody in the Wagner opera creation; This paper analyzes the characteristics of emotion, melody writing, harmony processing and musical structure, and the texture of accompaniment of the two arias, and tries to grasp the singing style, emotion, language, and coordination with accompaniment of the two arias. Through the analysis of the introduction to let the reader understand Wagner's exquisite opera creation techniques. To make this article a deep and systematic analysis, to study and introduce the creative characteristics of Wagner's works and the main points of singing, to become a valuable reference for teaching and research of Wagner's works.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616.2
【引证文献】
相关博士学位论文 前1条
1 康啸;瓦格纳歌剧《帕西法尔》研究[D];中国音乐学院;2012年
，本文编号：2402027
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