达日玛及其音乐作品研究
发布时间：2019-04-25 08:49
【摘要】：达日玛是可与马头琴大师齐宝力高相提并论得蒙古族马头琴艺术家,也是马头琴传统演奏风格的传承者之一。 达日玛是一位难得的蒙古族音乐全能人才。他不仅是一位著名的马头琴演奏家,而且也是一位琴质改革家和作曲家。不仅在蒙古族马头琴演奏法的传承与发展方面有着重要的影响,而且在音乐创作、琴质改革等方面也有很高的造诣。他的艺术造诣和才华主要体现在马头琴演奏、音乐创作、马头琴教学以及乐器改革等方面。 本文通过研究达日玛的艺术人生,分析其代表性音乐作品和乐器改革等系列问题,探究达日玛的艺术风格和所获成绩,旨在总结达日玛对于蒙古族艺术事业的贡献和在蒙古族音乐领域中的地位,使当下和今后的人们以其为鉴,更好地发展民族音乐。 本论文主要框架共分为六个章节。引言部分阐明了选题动机,研究现状,研究价值,研究方法；第一章主要叙述达日玛的艺术人生和创作生涯；第二章分类分析研究达日玛的演奏风格,总结其独特的演奏风格和精湛的演奏技巧。主要通过对不同地域、不同时代对演奏风格与技巧的影响来比较分析达日玛的独特演奏风格及技巧。第三章主要分析研究达日玛音乐作品的形态特征,从器乐作品与声乐作品等两个方面进行研究,归纳其整体的创作风格。第四章里研究了达日玛的琴质改革实验。该部分主要围绕达日玛对马头琴和其他蒙古族乐器的改革与创新,总结其改革后的乐器在实践中运用的情况,研究其乐器改革后的得与失。第五章里研究了达日玛的马头琴教学与其他工作。主要通过分析和阐述达日玛的马头琴教学工作以及成立马头琴乐团,传承和发展民族音乐的实践经验。第六章中主要研究达日玛对马头琴艺术的贡献。归纳上述几个章节的内容,综合论述了达日玛对蒙古族艺术的贡献。
[Abstract]:Darima is a Mongolian horse-head artist and one of the inheritors of the traditional performance style of horse-head organ, which can be compared with Qi Baoligao, the master of horse-head organ. Darima is a rare all-round Mongolian music talent. He is not only a famous harpsichord player, but also a piano reformer and composer. It not only has an important influence on the inheritance and development of Mongolian maitou piano playing method, but also has high attainments in music creation, piano quality reform and so on. His artistic attainments and talents are mainly reflected in such aspects as the performance of the harp, the creation of music, the teaching of the maitouqin, and the reform of musical instruments. This paper studies Darima's artistic life, analyzes his representative musical works and musical instrument reform and so on, and explores Darima's artistic style and achievements. The purpose of this paper is to sum up Darima's contribution to Mongolian art and its position in the field of Mongolian music so that people in the present and in the future can learn from it and develop national music better. The main frame of this paper is divided into six chapters. In the preface, the motivation, the present situation, the value and the method of the research are expounded, and the first chapter mainly describes Darima's artistic life and creative career. The second chapter classifies and studies Darima's performance style, summarizes its unique performance style and exquisite performance skills. This paper compares and analyzes Darima's unique performance style and skill through the influence of different regions and times on performance style and skill. The third chapter mainly analyzes and studies the morphological characteristics of Darima's musical works, studies them from two aspects, such as instrumental works and vocal works, and sums up the overall creative style of Darima's music works. In the fourth chapter, the experiment of Darima's reform of piano quality is studied. This part mainly focuses on Darima's reform and innovation of Maitouqin and other Mongolian musical instruments, summarizes the application of the reformed instruments in practice, and studies the gains and losses of his musical instruments after the reform. The fifth chapter studies Darima's teaching of horse-head organ and other work. Mainly through the analysis and elaboration of Darima's teaching work of Ma Tou Qin and the establishment of Ma Tou Qin Orchestra to inherit and develop the practical experience of folk music. The sixth chapter mainly studies the contribution of Darima to the art of Ma Tou Qin. The contents of the above chapters are summarized, and the contribution of Darima to Mongolian art is comprehensively discussed.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J632.26
本文编号：2464956
[Abstract]:Darima is a Mongolian horse-head artist and one of the inheritors of the traditional performance style of horse-head organ, which can be compared with Qi Baoligao, the master of horse-head organ. Darima is a rare all-round Mongolian music talent. He is not only a famous harpsichord player, but also a piano reformer and composer. It not only has an important influence on the inheritance and development of Mongolian maitou piano playing method, but also has high attainments in music creation, piano quality reform and so on. His artistic attainments and talents are mainly reflected in such aspects as the performance of the harp, the creation of music, the teaching of the maitouqin, and the reform of musical instruments. This paper studies Darima's artistic life, analyzes his representative musical works and musical instrument reform and so on, and explores Darima's artistic style and achievements. The purpose of this paper is to sum up Darima's contribution to Mongolian art and its position in the field of Mongolian music so that people in the present and in the future can learn from it and develop national music better. The main frame of this paper is divided into six chapters. In the preface, the motivation, the present situation, the value and the method of the research are expounded, and the first chapter mainly describes Darima's artistic life and creative career. The second chapter classifies and studies Darima's performance style, summarizes its unique performance style and exquisite performance skills. This paper compares and analyzes Darima's unique performance style and skill through the influence of different regions and times on performance style and skill. The third chapter mainly analyzes and studies the morphological characteristics of Darima's musical works, studies them from two aspects, such as instrumental works and vocal works, and sums up the overall creative style of Darima's music works. In the fourth chapter, the experiment of Darima's reform of piano quality is studied. This part mainly focuses on Darima's reform and innovation of Maitouqin and other Mongolian musical instruments, summarizes the application of the reformed instruments in practice, and studies the gains and losses of his musical instruments after the reform. The fifth chapter studies Darima's teaching of horse-head organ and other work. Mainly through the analysis and elaboration of Darima's teaching work of Ma Tou Qin and the establishment of Ma Tou Qin Orchestra to inherit and develop the practical experience of folk music. The sixth chapter mainly studies the contribution of Darima to the art of Ma Tou Qin. The contents of the above chapters are summarized, and the contribution of Darima to Mongolian art is comprehensively discussed.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J632.26
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