上肢肢体动作对竖琴演奏的影响

发布时间：2019-05-22 10:00

【摘要】：竖琴作为具有悠久历史的一种拨弦类乐器,不仅在乐队中担任色彩性伴奏乐器的角色,而且在独奏的舞台上用其天籁之声展示着独特魅力。在竖琴演奏中,演奏者通过上肢肢体各部位即肩部、手臂、手肘、手腕、手掌以及手指之间的相互配合与调节来改变音色、提高演奏技巧以及丰富表演方式,从而能够更加全面地诠释不同时期与不同风格的音乐作品。本文将结合个人多年的习琴经验与研习作品的演奏经历,对于上肢肢体动作对竖琴演奏的影响进行分析和总结。本文用以下三章对.上肢肢体动作对竖琴演奏的影响加以论述。第一章涉及上肢肢体的各个部位、基本动作及演奏效果：第二章论述上肢肢体在竖琴演奏中的实际运用；第三章讨论了上肢肢体姿态与视觉美感的关系。通过以上这三章的论述,目的在于强调上肢肢体对于竖琴演奏的重要意义。
[Abstract]:As a kind of string instrument with a long history, harp not only plays the role of colored accompaniment instrument in the band, but also shows its unique charm with its sound of nature on the stage of solo. In harp playing, the performer changes the timbre, improves the playing skills and enriches the way of performance through the coordination and adjustment between the shoulders, arms, elbows, wrists, palms and fingers of the upper limbs and limbs. In order to be able to more comprehensive interpretation of different periods and different styles of music works. This paper will analyze and summarize the influence of upper limb body movement on harp playing based on many years of experience of piano practice and the playing experience of studying works. In this paper, the following three chapters are used. The influence of upper limb movements on harp playing is discussed. The first chapter deals with each part of the upper limb, the basic movements and the playing effect: the second chapter discusses the practical application of the upper limb in harp playing; the third chapter discusses the relationship between the posture of the upper limb and the visual aesthetic feeling. Through the above three chapters, the purpose is to emphasize the significance of upper limbs for harp playing.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J623.1

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