黔西南布依族八音坐唱研究

发布时间：2019-05-27 09:16

【摘要】：八音坐唱又叫“布依八音”，是流传于黔西南地区的一种民间音乐样式。2006年5月，布依族八音坐唱成功申报为国家级非物质文化遗产。在我国音乐发展进程中，民族民间音乐呈现融合的趋势，而少数民族音乐一直得不到外界应有的重视。目前，八音坐唱的生存和发展也面临严重困难，急需加以保护扶持。因此，本文希望通过对黔西南八音坐唱的研究来推动对这一国家级非物质文化遗产的保护、传承和发展。本文对八音坐唱的研究通过多次的田野调查，并结合各种文献资料，将实践和理论相结合，，采用艺术人类学、文化人类学、民族学、音乐学等理论与方法，从多方面对八音坐唱进行分析和论述，详细阐述了其艺术形态、艺术特征及成因、变迁和当前面临的问题。具体来说，本论文关于黔西南布依族八音坐唱研究主要涵括了如下内容：绪论部分首先介绍了八音坐唱的研究现状，阐述了选题的缘由和意义，并对采用的研究方法进行了说明。第一章详细描述了八音坐唱的界定、起源、地理分布和社会功能。讲述了在黔西南独特的地域流传着布依八音坐唱这种音乐样式，以及对其分布的地域进行阐述。第二章是从八音坐唱的艺术形态方面，分别对八音坐唱的音乐形态的伴奏乐器、表演曲目、旋律唱腔，表演形态的形式构成、内容表达、表演维度多个方面进行了详细说明。第三章描述了八音坐唱的艺术特征及成因，从其艺术特征分析入手，从乐器演奏特征、音乐唱腔特征两个方面进行了详细论述，并分析了其形成的生态环境，包括自然因数和人文因数。第四章是结合八音坐唱的变迁和文化演变来分析，说明了其当前现状和面临的困境与问题，分析了问题的原因，提出了解决问题的建议和措施，并对它的保护、传承和发展进行了展望。最后，结语部分对本文研究进行了总结。
[Abstract]:Eight-tone sitting singing, also known as "Buyi eight-tone", is a kind of folk music style spread in southwest Guizhou. In May 2006, Buyi eight-tone sitting singing was successfully declared as a national intangible cultural heritage. In the process of music development in our country, national folk music shows the trend of integration, but minority music has not been paid due attention to by the outside world. At present, the survival and development of eight-tone singing is also facing serious difficulties and is in urgent need of protection and support. Therefore, this paper hopes to promote the protection, inheritance and development of this national intangible cultural heritage through the study of eight-tone singing in southwest Guizhou. Through many field investigations and combined with various literature, this paper combines practice and theory with the theories and methods of artistic anthropology, cultural anthropology, ethnography, musicology and other theories and methods through many field investigations and combined with various literature and materials, such as artistic Anthropology, Cultural Anthropology, Ethnology, Musicology and other theories and methods. This paper analyzes and discusses the eight-tone sitting singing from many aspects, and expounds in detail its artistic form, artistic characteristics and causes, changes and current problems. Specifically, the research on eight-tone sitting singing of Buyi nationality in southwest Guizhou mainly includes the following contents: in the introduction part, the research status of eight-tone sitting singing is introduced, and the reason and significance of the topic are expounded. The research methods adopted are also explained. The first chapter describes in detail the definition, origin, geographical distribution and social function of eight-tone sitting singing. This paper describes the music style of Buyi eight-tone sitting and singing in the unique region of southwest Guizhou, and expounds its distribution area. The second chapter explains in detail the accompaniment instrument, performance repertoire, melodic singing, the form composition, the content expression and the performance dimension of the music form of the eight-tone sitting singing from the aspect of the artistic form of the eight-tone sitting singing. The third chapter describes the artistic characteristics and causes of eight-tone sitting singing, starts with the analysis of its artistic characteristics, discusses in detail from two aspects: the playing characteristics of musical instruments and the characteristics of music singing, and analyzes the ecological environment of its formation. Including natural factor and human factor. The fourth chapter is based on the analysis of the changes and cultural evolution of the eight-tone sitting singing, explains its current situation and the difficulties and problems it faces, analyzes the causes of the problems, puts forward some suggestions and measures to solve the problems, and protects them. The inheritance and development are prospected. Finally, the conclusion part summarizes the research of this paper.
【学位授予单位】：贵州民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J607

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