解析我国明清时期的音乐心理思想

发布时间：2019-07-18 11:14

【摘要】：明清时期的音乐心理思想主要探讨了音乐表演心理、音乐创作心理以及音乐养生思想,其中关于音乐表演心理学思想的研究集古代表演心理理论之大成,从音乐练习、表演行为、想象、联想、先天音乐才能、后天努力、表演者的个体特征等方面,具体而细致地讨论了音乐表演心理中一系列的论题,标志着我国古代对该命题研究的成熟。尽管涉及到音乐创作心理理论较少,但对其认识却有相当的深度,主要表现为提出了创作应因人而施、因人而异,满足不同文化层析的欣赏者的需要,突破了自先秦以来所确立的崇尚以雅颂之音为标准的音乐创作,为音乐创作的多样化提供了理论依据。该时期在音乐表演心理和音乐创作心理思想所取得的成果足以同两汉魏晋时期相媲美,从而确立了该时期在中国古代音乐心理思想发展历程中的重要地位。
[Abstract]:In the Ming and Qing Dynasties, the music psychology thought mainly discussed the music performance psychology, the music creation psychology and the music health-keeping thought, among them, the study of the music performance psychology thought is the major of the ancient performance psychology theory, from the music practice, the performance behavior, the imagination, the association, In the aspects of the innate music ability, the acquired effort, the individual character of the performer and so on, a series of topics in the music performance psychology are discussed in detail, and the maturity of the research of the proposition in ancient China is marked. Although the theory of the music creation is less, it has a considerable depth to its understanding, which is mainly manifested in that the creation should be applied to the people, depending on the person, meeting the needs of the connoisseur of different culture chromatography, It breaks through the music creation which has been established since the pre-Qin period, and has provided the theoretical basis for the diversification of the music creation. The result of the period in the music performance psychology and the music creation psychological thought is sufficient to be the same as that of the two Han and Jin Dynasties, thus establishing the important position of the period in the development of the Chinese ancient music psychological thought.
【作者单位】：首都师范大学音乐学院;
【分类号】：J609.2

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