裕固族与维吾尔族装饰艺术比较研究

发布时间：2018-03-29 03:17

本文选题：裕固族　切入点：维吾尔族　出处：《新疆师范大学》2011年硕士论文

【摘要】：裕固族与维吾尔族均属隋唐时期强大的回纥汗国的后裔,于公元840年回纥汗国瓦解后迁徙至各自的聚居地而后形成了不同的民族。由于迥异的生活环境和周边不同文化的影响,使得迁徙后各分支的生产生活方式也发生了变化,这样,与其生产生活密切相关的民族风俗和精神文化也就逐步产生了差异。但相同的族源,虽经过一千多年历史的变迁与整合,仍有相通和相同的气息,表现在语言、音乐、风俗文化等方方面面。论文以比较的方式研究作为同源民族的裕固族与维吾尔族在服饰、居室等装饰艺术上的异同。试图通过两个民族体现在装饰艺术上的外在表现方式的差异与联系,探究其内在因素的深层文化内涵。全文分四个部分。第一部分为综述,对论文研究背景、研究目的和意义、比较研究的可行性、研究方法、中心内容和论文结构做了概括性的介绍。第二部分阐述裕固族和维吾尔族发展的历史、分布情况,以及它当下的社会生活、政治经济、宗教信仰和文化风俗等特点,追溯历史,分析现状,为深层文化内涵的探寻提供史料和现实依据。第三部分重点对裕固族和维吾尔族的服饰艺术进行研究,对裕固族与东疆、南疆、北疆维吾尔族服饰的装饰题材、手法、风格、色彩搭配、文化内涵等方面进行比较,分析它们在服饰上的联系与差异。第四部分对裕固族和维吾尔族居室的装饰艺术进行研究,从居室的造型结构、装饰技巧等方面进行比较,进而分析它们在居室装饰上的联系与差异。最后对裕固族与维吾尔族装饰艺术在社会变迁中的影响因素进行了宏观的推论。通过比对发现,两个同源民族在经历史变迁后,在服饰文化和居住文化的外在表现形式上产生了很大的不同。尤其在居室的装饰上,几乎无法相提并论。而在服饰的装饰艺术上既有联系又有差异,且其差异性大于联系性。所以,裕固族文化系由多元民族文化层级叠加而成,既蕴涵着丰富的古代突厥、回鹘的文化底蕴,又颇具古代蒙古的遗风,另外还深受邻近兄弟民族——主要是藏族和汉族的影响,未能实现整体融合。维吾尔族的文化保留了回鹘的文化遗存,融合了当地土著文化,又经历了突厥化和伊斯兰化的过程,其整合程度较裕固族彻底。
[Abstract]:Both Yugur and Uygur are descendants of Huihe khanate, who was powerful in Sui and Tang dynasties. After the collapse of Huihe Khan in 840 AD, they migrated to their respective settlements and formed different nationalities. After the migration, the production and life styles of the various branches have also changed, so that the ethnic customs and spiritual cultures closely related to their production and life gradually become different. But the same ethnic origin, In spite of the vicissitudes and integration of more than one thousand years of history, it still has the same breath, such as language, music, custom and culture. This paper makes a comparative study of the similarities and differences between Yugur and Uygur in the decorative arts such as costumes and rooms. Explore the deep cultural connotation of its internal factors. This paper is divided into four parts. The first part is a summary of the research background, purpose and significance of the paper, the feasibility of comparative research, research methods, The second part describes the history and distribution of the development of Yugur and Uygur, as well as its current characteristics of social life, political economy, religious belief and cultural customs. The third part focuses on the study of the dress art of Yugur and Uygur, and the decoration theme of Yugur and the eastern, southern and northern Uygur. Methods, style, color collocation, cultural connotation and other aspects of comparison, analysis of their clothing on the relationship and differences. The fourth part of the Yugur and Uygur bedroom decoration art, from the room modeling structure, The paper compares the decorative skills and analyzes their relationship and difference in the decoration of the house. Finally, the paper makes a macro inference on the influencing factors of the decoration art of Yugur and Uygur in the social changes. Through comparison, it was found that the two homologous nations had great differences in the external forms of dress culture and residential culture after the historical changes, especially in the decoration of the house. It is almost impossible to compare with each other. But in the adornment art, there is not only connection but also difference, and the difference is greater than the connection. Therefore, the Yugur culture is overlaid by the multi-ethnic cultural hierarchy, which not only contains rich ancient Turkic and Uighur cultural details, but also has the heritage of ancient Mongolia. In addition, the Uyghur culture has been deeply influenced by the neighboring brotherly ethnic groups, mainly the Tibetan and the Han nationalities, and has not been integrated as a whole. The Uygur culture retains the cultural relics of the Uighur, integrates the local indigenous culture, and has gone through the process of Turkization and Islamization. Its integration degree is more thorough than Yugur nationality.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J525

【参考文献】