论泉州传统建筑装饰的多元化特征
发布时间:2018-09-14 11:22
【摘要】: 该文以泉州传统建筑装饰艺术为主要研究对象,从泉州自然环境和社会历史为出发点,立足于泉州传统建筑的石雕、木雕、砖雕、泥塑、贴瓷花、彩绘、剪粘等装饰工艺,较为全面地分析泉州传统建筑装饰多元化特征所形成的原因并解析其地域特色。全文共分为三个部分,第一部分为绪论,简要地叙述泉州的自然环境和社会历史、泉州的传统建筑类型和其装饰工艺种类以及课题的研究现状、目的、方法和创新点。第三部分则为全文的结论。第二部分为正文,是重点,分四章进行论述。第一章论述中原文化与泉州传统建筑装饰的血缘关系,分别从社会基础、经济基础和思想基础三个方面来说明泉州传统民居的基本形制来自于中原的合院形式、建筑装饰题材也受到其影响。第二章以详细的例子,结合历史上影响泉州的各大宗教的传入时间、背景与程度说明泉州宗教建筑艺术的包容性。第三章以民居的外墙用材和装饰说明泉州传统建筑装饰艺术深受海洋文化的影响,,形成了自己的地方特色。第四章截取体现地域特色的建筑装饰部位和彩画、泥塑、剪粘等手法,具体加以叙述,展示泉州传统建筑装饰的独特性格。
[Abstract]:This article takes Quanzhou traditional architecture decoration art as the main research object, from the Quanzhou natural environment and the social history as the starting point, based on the Quanzhou traditional architecture stone carving, the wood carving, the brick carving, the clay sculpture, the paste porcelain flower, the color painting, the shear stick and so on decoration craft, This paper comprehensively analyzes the reasons for the diversification of traditional architectural decoration in Quanzhou and analyzes its regional characteristics. The paper is divided into three parts. The first part is the introduction, which briefly describes the natural environment and social history of Quanzhou, the traditional architectural types and decorative craft types of Quanzhou as well as the research status, purpose, method and innovation of the subject. The third part is the conclusion of the full text. The second part is the main body, which is divided into four chapters. The first chapter discusses the blood relationship between the Central Plains Culture and the traditional architectural decoration of Quanzhou, respectively, from the social basis, the economic basis and the ideological basis to explain the basic form of Quanzhou traditional residence from the form of the Central Plains. The theme of architectural decoration is also affected by it. The second chapter gives a detailed example to illustrate the inclusiveness of the religious architecture art in Quanzhou by combining the introduction time, background and degree of the major religions in the history of Quanzhou. The third chapter explains Quanzhou traditional architectural decoration art deeply influenced by ocean culture, forming its own local characteristics. The fourth chapter intercepts the architectural decoration parts and color paintings, clay sculptures, shear stickies and so on, which embodies the regional characteristics, and shows the unique character of Quanzhou traditional architectural decoration.
【学位授予单位】:苏州大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:TU238;TU-86
本文编号:2242564
[Abstract]:This article takes Quanzhou traditional architecture decoration art as the main research object, from the Quanzhou natural environment and the social history as the starting point, based on the Quanzhou traditional architecture stone carving, the wood carving, the brick carving, the clay sculpture, the paste porcelain flower, the color painting, the shear stick and so on decoration craft, This paper comprehensively analyzes the reasons for the diversification of traditional architectural decoration in Quanzhou and analyzes its regional characteristics. The paper is divided into three parts. The first part is the introduction, which briefly describes the natural environment and social history of Quanzhou, the traditional architectural types and decorative craft types of Quanzhou as well as the research status, purpose, method and innovation of the subject. The third part is the conclusion of the full text. The second part is the main body, which is divided into four chapters. The first chapter discusses the blood relationship between the Central Plains Culture and the traditional architectural decoration of Quanzhou, respectively, from the social basis, the economic basis and the ideological basis to explain the basic form of Quanzhou traditional residence from the form of the Central Plains. The theme of architectural decoration is also affected by it. The second chapter gives a detailed example to illustrate the inclusiveness of the religious architecture art in Quanzhou by combining the introduction time, background and degree of the major religions in the history of Quanzhou. The third chapter explains Quanzhou traditional architectural decoration art deeply influenced by ocean culture, forming its own local characteristics. The fourth chapter intercepts the architectural decoration parts and color paintings, clay sculptures, shear stickies and so on, which embodies the regional characteristics, and shows the unique character of Quanzhou traditional architectural decoration.
【学位授予单位】:苏州大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:TU238;TU-86
【共引文献】
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