产品装饰艺术探析
发布时间：2019-03-25 10:33
【摘要】：装饰的产生伴随有深刻的功能和意义,装饰艺术一直伴随人类的设计史和美术史的发展不断地得到继承和发扬。到了现代主义前期,这种艺术的形式的繁琐性已经到了无以复加的地步形式,直接导致了现代主义对装饰的抛弃,我们清醒地意识到这是事物踏入形式主义而不断走向极端之后不堪重负造成的自身的崩溃。在现代艺术的主流缓慢地一步一步向前推进的时候,我们发现现代艺术对装饰的抛弃也使自身不断地简约化和概念化,去除了一切不必要的外壳与形式,也僵化了艺术的基本要素——情感。经过长时间的忍受,人们终于不能忍受这种故意营造出的理性风格或者隐藏感情的探寻“完美”的活动,开始尝试探索艺术与设计的本质,开始在设计中回归历史和情感的元素。在后现代主义的探索中,我们在诸多艺术与设计领域找到了装饰复兴的影子,而在产品设计中,由于受到现代主义思想的影响,很多设计师也许在不知不觉中应用着装饰的手法和思想但是理智上却拒绝装饰。对于需不需要装饰,一旦让大家做出选择和回答,我们都可以很肯定地说:“需要”,不对产品进行美饰的话,丑陋的外表将是大家都不希望看到的,那么我们就需要分析到底装饰在产品设计中的本质意义是什么?哪些属于产品装饰的内容?未来产品装饰将呈现怎样的趋势?论文从装饰艺术的历史存在性、现实需求性来论证人的装饰情结,提出产品装饰的概念。在产品装饰中,借助产品的外壳,分析在产品中装饰的存在形式、装饰所处的角色以及装饰的内容,然后围绕这些内容谈谈与装饰相关的问题。 ●论文的创新点: 1将平面装饰的核心思想嫁接到产品装饰中,解释和理解产品中的装饰问题: 2引出产品设计的新程序:(设计对象的)情感把握——造型设计——装饰设计。 ●不足之处: 由于产品装饰这个问题具有比较大的争议性,碍于问题的复杂和资料的缺乏,在写作过程中总是在自己的直觉和现代主义的教条之间纠缠,很难深入分析产品装饰的深层次的内容,使得论文在说明很多问题的时候还欠深透。笔者在此只是试着做一些探索,至少重新明晰一下新时期的产品装饰形式和内容,诠释一下拓展之后的装饰的内涵。
[Abstract]:The appearance of decoration is accompanied by profound function and significance. Decorative art has been inherited and carried forward continuously with the development of design history and art history of mankind. By the early stage of modernism, the complexity of this form of art had reached an innumerable form, which directly led to the abandonment of the decoration by modernism. We are acutely aware that this is our own collapse caused by the overloading of things after stepping into formalism and going to extremes. As the mainstream of modern art advances slowly and step by step, we find that the abandonment of decoration by modern art continues to simplify and conceptualize itself, removing all unnecessary shells and forms. It also rigid the basic element of art-emotion. After a long period of suffering, people finally can't stand the activity of deliberately creating a rational style or hiding feelings in search of "perfection", and began to try to explore the essence of art and design. Begin to return to the elements of history and emotion in the design. In the exploration of post-modernism, we have found the shadow of decoration revival in many fields of art and design, and in product design, because of the influence of modernism, Many designers may unwittingly apply decorative techniques and ideas, but intellectually refuse to decorate them. As to whether there is a need for decoration, once we let everyone make choices and answers, we can all say with certainty: "Yes," if the product is not decorated, the ugly appearance will be something no one would want to see. So we need to analyze what the essential meaning of decoration in product design is? What is part of the product decoration? What is the trend of product decoration in the future? This paper discusses the witness's decoration complex from the historical existence and realistic demand of decorative art, and puts forward the concept of product decoration. In product decoration, with the help of the shell of the product, the existing form of decoration in the product, the role of decoration and the content of decoration are analyzed, and then the problems related to decoration are discussed around these contents. The innovation of this paper is as follows: (1) the core idea of plane decoration is grafted into the product decoration. Explain and understand the decorative problems in the product: 2 lead to the new procedure of product design: emotional grasp-styling design-decorative design. Inadequacies: because of the controversial nature of product decoration, the complexity of the problem and the lack of information, In the process of writing, there is always entanglement between intuition and modernist dogma, so it is difficult to deeply analyze the deep-seated content of product decoration, which makes the thesis not deep enough to explain many problems. Here I just try to do some exploration, at least re-clarify the form and content of product decoration in the new period, explain the connotation of decoration after expansion.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J524.1
本文编号：2446892
[Abstract]:The appearance of decoration is accompanied by profound function and significance. Decorative art has been inherited and carried forward continuously with the development of design history and art history of mankind. By the early stage of modernism, the complexity of this form of art had reached an innumerable form, which directly led to the abandonment of the decoration by modernism. We are acutely aware that this is our own collapse caused by the overloading of things after stepping into formalism and going to extremes. As the mainstream of modern art advances slowly and step by step, we find that the abandonment of decoration by modern art continues to simplify and conceptualize itself, removing all unnecessary shells and forms. It also rigid the basic element of art-emotion. After a long period of suffering, people finally can't stand the activity of deliberately creating a rational style or hiding feelings in search of "perfection", and began to try to explore the essence of art and design. Begin to return to the elements of history and emotion in the design. In the exploration of post-modernism, we have found the shadow of decoration revival in many fields of art and design, and in product design, because of the influence of modernism, Many designers may unwittingly apply decorative techniques and ideas, but intellectually refuse to decorate them. As to whether there is a need for decoration, once we let everyone make choices and answers, we can all say with certainty: "Yes," if the product is not decorated, the ugly appearance will be something no one would want to see. So we need to analyze what the essential meaning of decoration in product design is? What is part of the product decoration? What is the trend of product decoration in the future? This paper discusses the witness's decoration complex from the historical existence and realistic demand of decorative art, and puts forward the concept of product decoration. In product decoration, with the help of the shell of the product, the existing form of decoration in the product, the role of decoration and the content of decoration are analyzed, and then the problems related to decoration are discussed around these contents. The innovation of this paper is as follows: (1) the core idea of plane decoration is grafted into the product decoration. Explain and understand the decorative problems in the product: 2 lead to the new procedure of product design: emotional grasp-styling design-decorative design. Inadequacies: because of the controversial nature of product decoration, the complexity of the problem and the lack of information, In the process of writing, there is always entanglement between intuition and modernist dogma, so it is difficult to deeply analyze the deep-seated content of product decoration, which makes the thesis not deep enough to explain many problems. Here I just try to do some exploration, at least re-clarify the form and content of product decoration in the new period, explain the connotation of decoration after expansion.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J524.1
【引证文献】
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3 刘弦弦;基于Web的产品造型意象信息库系统及其应用[D];长安大学;2011年
4 耿阳苏;建筑壁画的空间职能与构建方法研究[D];大连理工大学;2007年
5 于君;从载体谈艺术产品的外观创新设计[D];同济大学;2008年
6 曾瑜;土家族滴水床装饰艺术研究[D];中南林业科技大学;2012年
7 刘欣;室内设计中薄木装饰艺术研究[D];中南林业科技大学;2013年
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