南梁时期书学研究

发布时间：2018-03-15 05:34

本文选题：南梁　切入点：梁武帝　出处：《吉林大学》2017年硕士论文　论文类型：学位论文

【摘要】：南梁国祚较短却是南北朝书法发展的重要时期,它上承魏晋遗风,下开隋唐先河。在崇尚“今妍”的南朝,梁武帝试图改变这一现象。书学理论的确立与“品评”标准的转变,使得“二王”的“草隶”书法为主流书风,名家辈出,敦煌南梁写本与铭石书楷法渊源王书,并完成了由隶书向楷书的过渡。文章共分为五章,从书论、书家群体、法书墨迹、出土石刻四方面入手,希翼还原南梁书学发展的真实面貌。第一章从南梁建国与文化制度的建立为出发点,对当时的文化背景进行考察。第二章研究梁武帝影响下的南梁书学发展,从梁武帝与陶弘景二人书学交流为主体,同时评价标准的转移与书风的转变也是关注的重点。第三章将目光集聚于南梁时期书家群体的研究,士族书家的延续与寒门书家的崛起是南梁书家的两大阵营。“善草隶”成为南梁时期的主流书风。第四章对南梁时期所见书迹进行整理研究,包括刻帖中所见法书与敦煌写本两方面,他们为南梁书学发展提供了范本。第五章以“铭石书”作为对象,对南梁出土石刻进行发掘整理,南梁时期完成了隶书向楷书的过渡,为隋唐楷书的统一奠定了基础。
[Abstract]:The short Southern Liang Guozuo was an important period for the development of calligraphy in the Northern and Southern dynasties. It inherited the legacy of Wei and Jin dynasties, and opened the Sui and Tang dynasties. In the Southern Dynasty, when he worshipped "today's Yan", Emperor Liang Wudi tried to change this phenomenon. It makes the "Cao Li" calligraphy of "two kings" become the mainstream calligraphy style, and famous writers come out in large numbers, Dunhuang Southern Liang calligraphy and Ming Shi Kai calligraphy, and complete the transition from official script to regular script. The article is divided into five chapters, from the book theory, the calligrapher group, the law calligraphy ink, From four aspects of unearthed stone carvings, the author hopes to restore the true outlook of the development of calligraphy in the Southern Liang Dynasty. The first chapter starts with the founding of the Southern Liang Dynasty and the establishment of the cultural system. The second chapter studies the development of Southern Liang Scholarology under the influence of Emperor Wu of Liang Dynasty, mainly from the exchange of calligraphy between Emperor Wu of Liang and Tao Hongjing. At the same time, the transfer of evaluation standards and the change of book style are also the focus of attention. Chapter three focuses on the study of calligraphers in the Southern Liang Dynasty. The continuation of literati calligraphers and the rise of Hanmen calligraphers are the two camps of Southern Liang calligraphers. "Shancaoli" has become the mainstream book style in the Southern Liang Dynasty. Chapter 4th makes a study of the book records seen in the Southern Liang Dynasty. They provide a model for the development of calligraphy in the Southern Liang Dynasty. Chapter 5th takes "Ming Shi Shu" as the object, excavates and arranges the stone carvings unearthed in the Southern Liang Dynasty, and completes the transition from official script to regular script in the Southern Liang Dynasty. It laid a foundation for the unification of regular script in Sui and Tang dynasties.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K239.13;J292.1

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