当代“俗隶”现象卮议

发布时间：2018-03-17 06:16

  本文选题：三体石经　切入点：熹平石经　出处：《中国书法》2012年02期 　论文类型：期刊论文

【摘要】：正隶书写得俗与不俗—其实是个很"相对"的话题,主要看作品所处的时代背景。时代坐标不同,审美习尚必然殊异。一个有趣而又发人省思的现象是,今天陆续出土、七彩纷呈、悦目动心的大量民间隶书遗存,在汉唐士大夫阶层看来,也许是不值一哂的。而类如《熹平石经》、《三体石经》等在隶书通行的汉魏时代用以昭示典重、被主流族群目为楷则的作品,依今日审美,反不如那些名不见经传的令史、书佐留下的书迹更具艺术价值。
[Abstract]:In fact, it is a very "relative" topic. It mainly depends on the background of the times in which the works are located. When the coordinates of the times are different, aesthetic appreciation is bound to be different. An interesting and thought-provoking phenomenon is that it has been unearthed one after another today. In the Han and Tang dynasties, a large number of folk official script remains, which were various in color and pleasing to the eye, may not be worth a penny. However, in the Han and Wei dynasties, such as the "Xi Pingshi Classic" and the "Three-body Stone Classic", they were used to show great importance in the Han and Wei dynasties, which passed through the official script. The works which are regarded as block letters by the mainstream ethnic groups are not as good as the little-known history, and the books left behind are of more artistic value.
【分类号】：J292.1
，

本文编号：1623515