《蜀素帖》题跋探微

发布时间：2018-03-17 08:20

本文选题：《蜀素帖》　切入点：题跋　出处：《中国艺术研究院》2017年硕士论文　论文类型：学位论文

【摘要】：中国历史文化悠久,有着自己独特的魅力。在中国文化的滋养下,不断的萌生、发展新的表现方式。文人借用短小的篇幅来表达自己的思想观点,而这一表达方式不断的发展,形成了“题跋”。题跋在中国魏晋时期就已有的文体。在宋朝,题跋被确立,欧阳修第一个正式使用“题跋”之词。在北宋,文人积极创作,数量巨大,对明清两代影响深远。《蜀素帖》是米芾的经典作品之一,对此的研究主要集中在对《蜀素帖》内容的品评及涉及中国传统文化理念、书法的技法、美学分析。本文试图《蜀素帖》的题跋作一个系统的研究。本文分为三个部分,四个章节对《蜀素帖》题跋文作了研究:前言是对《蜀素帖》题跋的含义作了界定,中国传统文化哲学理念的立足点及对《蜀素帖》题跋文做了简要概述,总结了目前对《蜀素帖》及题跋研究的现状,阐述本文的选题立意。第一章,第二章对题跋的内容分类,从文化哲学理念、学术考证、感怀抒情、历史传承等方面进行分析,总体把握《蜀素帖》题跋。第三章主要是对题跋中所体现的书学思想研究。从三个方面来研究,一方面是文本的风格特点;另一方面则是书法风格特点;最后则是则是对其中反映的书论思想及书法理念的实践。第四章概括《蜀素帖》题跋的价值及影响。认为北宋、明、清时期的文人对米芾书法推崇有嘉,极大的影响了文人集团。文章之中涉及的各类信息及结论进行了相对系统的阐述。
[Abstract]:China has a long history and culture, and has its own unique charm. Under the nourishment of Chinese culture, it has constantly sprouted and developed new ways of expression. The literati borrowed short space to express their ideas, and this expression has been developing constantly. In the Song Dynasty, when the inscriptions were established, Ouyang Xiu first formally used the word "subject and Postscript". In the Northern Song Dynasty, the literati created actively and in a large number, Shu Su-tie is one of Mi Fu's classical works. The research focuses on the evaluation of the content of Shu Su-tie and the techniques of Chinese traditional culture and calligraphy. Aesthetic analysis. This paper attempts to make a systematic study on the subject and postscript of Shu Su Post. This paper is divided into three parts and four chapters are devoted to the study of the postscript: the preface defines the meaning of the postscript. The foothold of Chinese traditional cultural philosophy and its postscript are briefly summarized, the present situation of the research on Shu Su-post and its postscript is summarized, and the meaning of this thesis is expounded. Chapter one, Chapter two classifies the contents of the title and postscript. From the aspects of cultural philosophy, academic textual research, emotional lyricism, historical inheritance and so on, the author makes a general grasp of the subject and postscript of Shu Su-tie. The third chapter is mainly about the study of the calligraphy thought embodied in the inscription and postscript, which is studied from three aspects. On the one hand, it is the style characteristic of the text; on the other hand, it is the calligraphy style characteristic; finally, it is the practice of the book theory thought and calligraphy idea reflected in it. Chapter 4th summarizes the value and influence of the title and postscript of Shu Su-tie, and thinks that the Northern Song Dynasty and the Ming Dynasty, In the Qing Dynasty, the literati praised Mi Fu calligraphy with praises, which greatly influenced the literati group. The various kinds of information and conclusions involved in the article were expounded systematically.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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