北宋书风的尚清意识

发布时间：2018-04-11 00:40

本文选题：书风 + 美意识　；参考：《中国书法》2012年07期

【摘要】：正士大夫主导书坛是宋代特定的历史现象,北宋尤然,故而他们的心理状态和审美情趣会直接影响到一个时代的书风。在北宋特定的社会文化背景下,士大夫中隐逸情怀弥漫。这一心态在审美取向上推动了北宋书风以清为美意识的流布。书法作为一种表现性的艺术,直通艺术家的心灵世界。如刘熙载所言:"笔性墨情,皆以其人之性情为本。"~([1])以尚意为创作理念的宋代书法更是如此。而宋代书法独特的审美风貌的形成和高峰尽在北宋一朝,北宋书法的研究对整个宋代书法来说有着正本清源的意义。北宋一代,书法不仅是士大夫们的陶写之具,而且成为他们生活的一个组成部分,士大夫们成为书法无可辩驳的创作主体和审美主体。故而,他们的思想感情、性格气质以审美趣味为中介,影响和制约了北宋书法的
[Abstract]:It is a special historical phenomenon in the Song Dynasty that the literati and officials dominate the literary world, especially in the Northern Song Dynasty, so their psychological state and aesthetic taste will directly affect the style of the books of a time.Under the specific social and cultural background of the Northern Song Dynasty, the seclusion of literati and officials pervaded.This state of mind promoted the circulation of the Qing Dynasty as the aesthetic consciousness in the Northern Song Dynasty.Calligraphy, as an expressive art, goes directly to the artist's spiritual world.As Liu Xizai put it: "pen and ink are all based on people's temperament." ([1]) the Song Dynasty calligraphy, which is still intended to create, is even more so.The formation and peak of the unique aesthetic style of calligraphy in the Song Dynasty is in the Northern Song Dynasty. The study of calligraphy in the Northern Song Dynasty has the significance of the origin of the whole calligraphy of the Song Dynasty.In the Northern Song Dynasty, calligraphy was not only written by literati and officials, but also a part of their life. Literati and officials became the indisputable subject of creation and aesthetics of calligraphy.As a result, their thoughts, feelings and temperament were mediated by aesthetic taste, which influenced and restricted the calligraphy of the Northern Song Dynasty.
【作者单位】：河北沧州师范学院美术系;
【分类号】：J292.1

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