追求展厅效应对当代书法创作的影响

发布时间：2018-04-26 06:30

本文选题：展厅效应 + 书法欣赏　；参考：《南京艺术学院》2008年硕士论文

【摘要】： 从某种程度上说,20世纪80年代以来的书法复兴是以书法展览的方式得到体现的。书法展览既是书法复兴的伴生物,也是它的催化剂。从近20年的书法发展来看,展厅效应改变了人们欣赏书法的角度,突出表现在对大幅作品的青睐、对行草书体的偏重、对作品装潢的倚重等。追逐展厅效应,也潜在地改变着我们的创作方法。本文探讨了展厅效应对当代书法创作正、负两方面的影响。正面影响包括取法的多样性、对书法空间表现力的深度挖掘,负面影响则主要表现在作品风格趋同、制作与设计对书法抒情属性的破坏等。对于这些影响,本文提出自己的立场与应对策略:重视书法形式语言的独立价值;强调书写性、个性等对于书法创作的根本性意义。
[Abstract]:To some extent, the revival of calligraphy since 1980's is embodied by calligraphy exhibition. Calligraphy exhibition is not only the companion of calligraphy revival, but also its catalyst. From the perspective of the development of calligraphy in the past 20 years, the exhibition hall effect has changed the angle of people's appreciation of calligraphy, especially in the favor of large scale works, in the emphasis on cursive writing, and in the decoration of works, and so on. Chasing the showroom effect also potentially changes our creative methods. This paper discusses the influence of exhibition hall effect on contemporary calligraphy creation in both positive and negative aspects. The positive influence includes the diversity of methods, the deep excavation of the expression of calligraphy space, and the negative influence is mainly reflected in the convergence of the style of the works, the destruction of the lyric attributes of calligraphy by the production and design, and so on. For these influences, this paper puts forward its own stand and countermeasures: emphasizing the independent value of calligraphy form language and emphasizing the fundamental significance of writing and personality for calligraphy creation.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J292.1

【引证文献】