张孝伯张即之籍贯、书法述略

发布时间：2018-04-28 08:09

本文选题：南宋 + 书法家　；参考：《中华文化论坛》2017年01期

【摘要】：南宋四川书坛,一般认为基本上在全国没有什么影响和地位,中国书法史上也基本上没有四川人的姓名,事实上,四川南宋书法也称得上非常灿烂,只是这些成就很少为人所知,最典型的例子就是,经过考证,南宋四大书法家之一张孝祥、南宋后期最有影响的书法家张即之,两人的祖籍均为四川简阳。张孝祥以诗、书、文"三绝"受知高宗所欣赏,笔法纯熟,出入于颜真卿、米芾间。张即之被称作宋书之殿,他虽亦学米,但能变化,并上溯唐人,师法欧、褚、颜,稍加变通,遂自成一家。其楷书骨格强硬,古雅道劲,行书流畅爽利,富于变化。
[Abstract]:In the Southern Song Dynasty, it was generally believed that Sichuan calligraphy had no influence or status in the whole country, and that there was basically no Sichuan name in the history of Chinese calligraphy. In fact, the calligraphy of the Southern Song Dynasty in Sichuan was also considered to be very brilliant. However, these achievements are seldom known. The most typical example is that Zhang Xiaoxiang, one of the four great calligraphers in the Southern Song Dynasty, was the most influential calligrapher in the late Southern Song Dynasty. Zhang Xiaoxiang by poem, book, article "three absolute" by know Gao Zong to appreciate, the style of writing is proficient, in and out of Yan Zhenqing, Mi Fu. Zhang was called the temple of the Song Dynasty, although he also learned rice, but can change, and go back to the Tang Dynasty, law, Chu, Yan, a little flexibility, and become a family. Its character is tough, elegant, smooth and smooth, rich in variety.
【作者单位】：四川省社会科学院艺术研究中心;
【分类号】：J292.1

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