浅谈书画同源的人文精神

发布时间：2018-05-04 09:28

本文选题：书画同源 + 源流　；参考：《大舞台》2012年02期

【摘要】：中国书法和中国绘画都强调"骨法用笔"的重要性,所用工具均为毛笔。书法讲究均衡和工稳,间架结构的开合、布局同样适用于中国画的法度。谢赫六法中的"气韵生动"同样成为书法创作的金科玉律。用线的质量高下,线条中蕴含的情感力度,关乎书画作品的品味高低;个人对线条的敏感性,也决定了作者艺术道路的宽度。也就是说,书画同源之"源"不是仅停留于表面的表现形式、笔墨运用上的同源性,而是深入到书法与绘画艺术的神髓之中,具有相同的神髓、意境之源。
[Abstract]:Both Chinese calligraphy and Chinese painting emphasize the importance of "bone brush". Calligraphy pays attention to balance and stability, the opening and closing of the frame structure, layout is also applicable to the Chinese painting. The "vivid charm" in the six laws of Sheikh also became the golden rule of calligraphy. The quality of the line, the emotional strength contained in the line, relates to the taste of painting and calligraphy; the sensitivity of the individual to the line also determines the width of the author's art road. That is to say, the "source" of calligraphy and painting homology is not only in the form of expression on the surface, but also in the spirit of calligraphy and painting, with the same source of artistic conception.
【作者单位】：湖北美术学院;
【分类号】：J205;J292.1

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