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北京石刻艺术博物馆藏李东阳帖石

发布时间:2018-05-05 23:56

  本文选题:吴门书派 + 台阁体 ; 参考:《中国书法》2014年15期


【摘要】:正明中期书法的衍变和发展是以"过渡"为主旋律的。成化、弘治、正德几朝的书家们开始自觉地摆脱明初"台阁体"书法的束缚,转向以抒发个人情感为目的的创作,并最终形成了以吴门书派为主体、代表文人审美趣味的书法艺术的昌盛局面。李东阳即是这一书风衍变过程中颇具代表性的人物,与同时期的徐有贞、李应桢、吴宽等一批书家共同开启了明代书坛中兴之先河。
[Abstract]:The evolution and development of calligraphy in the middle period of Zhengming Dynasty is based on the theme of "transition". The calligraphers of Chenghua, Hongzhi and Zhengde began to consciously get rid of the shackles of "Taige style" calligraphy in the early Ming Dynasty, and turned to writing with the purpose of expressing their personal feelings, and finally formed the Wu Men School of calligraphy as the main body. The flourishing situation of calligraphy art on behalf of literati's aesthetic taste. Li Dongyang is a representative figure in the evolution of the book, and Xu Youzhen, Li Yingzhen, Wu Kuan and other calligraphers of the same period jointly opened the first stage of the Ming Dynasty.
【作者单位】: 北京石刻艺术博物馆;
【分类号】:J292.1


本文编号:1849825

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