书法金石拓片论考
发布时间:2018-05-06 04:02
本文选题:碑刻 + 刻帖 ; 参考:《山西师范大学》2010年硕士论文
【摘要】:书法金石拓片作为书法、文献等的重要载体,具有特殊的研究价值。理论界对于拓片的研究多从文字学、文献价值、书法艺术等单一的角度出发,专业是专业,不过却失之偏颇。有鉴于此,本文拟规避已有的研究成果,从视觉理论及其哲学层面,以新的视点和角度,对书法拓片的历史源流和形态进行梳理与考究。着重于拓片的历史性生成、形而上功用、美学新证等三方面的论述。全文分为四部分,逐一展开,分述如下: 第一部分对拓片进行了概念上的界定和形态上的分类,提出了新的分类方法。 第二部分主要对拓片的流变进行了历史分期,贯穿一个从官方向民间发展的主线,认为拓片主要分为四个历史时期:先秦两汉为滥觞期,六朝隋唐为形成期,宋元为成熟期,明清为流布期等,并对20世纪的拓片发展状况进行了简要的论述。 第三部分重点对拓片的产生和存在作哲学上的思考,追问拓片存在的缘由,力图探寻出拓片的历史性和民族文化性存在根据,并阐释拓片存在的功能,从而抽绎出拓片所承载的民族思维方式。 第四部分着重对拓片特有色彩的形成进行理论上的考究,探究拓片色彩所承载的历史的、民族的文化价值。着重分析其独有的对举性价值、生发性价值,并把东方特有的美学价值和西方原子论价值作出对比。 本文认为,对拓片意义和价值的研究首先应着眼于拓片本身,立足时代理念,还原拓片存在的本然历史地位,挖掘拓片新的美学价值,抽绎出拓片潜藏的哲学内涵,意义殊大。
[Abstract]:As an important carrier of calligraphy and literature, calligraphy gold-stone rubbings have special research value. The research on topology in the theoretical circle mainly starts from the single angle of philology, literature value, calligraphy art and so on. The major is a major, but it is biased. In view of this, this paper intends to avoid the existing research results, from the visual theory and its philosophical level, from a new perspective and perspective, the history and shape of the calligraphy rubbings comb and study. It focuses on the historical generation of rubbings, metaphysical functions and aesthetic new evidence. The full text is divided into four parts, one by one, described as follows: The first part defines the topology conceptually and classifies the morphology, and puts forward a new classification method. The second part mainly carries on the historical stage to the rubbings' rheology, runs through a main line from the official to the folk development, thinks that the rubbings are mainly divided into four historical periods: Pre-Qin and Han dynasties as the origin period, the six dynasties Sui and Tang dynasties as the formation period, the Song and Yuan dynasties as the mature period. Ming and Qing dynasties were the period of distribution, and the development of topology in the 20 th century was briefly discussed. The third part focuses on the appearance and existence of rubbings in philosophy, questioning the cause of the existence of rubbings, trying to find out the historical and national cultural existence basis of rubbings, and explaining the functions of the existence of rubbings. In order to extract the rubbings carried by the national thinking mode. The fourth part focuses on the formation of the special color of rubbings in theory, and explores the historical, national cultural value of the color of rubbings. This paper mainly analyzes its unique value of lift and germinal, and compares the aesthetic value of oriental with the value of western atomism. This paper holds that the study of the significance and value of rubbings should first focus on the topology itself, based on the idea of the times, restore the original historical position of the topology existence, excavate the new aesthetic value of the rubbings, and abstract the philosophical connotations of the hidden rubbings, which is of great significance.
【学位授予单位】:山西师范大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J292.1
【参考文献】
相关期刊论文 前1条
1 陈琦昌;中国古代服饰色彩与色彩观念探源[J];西北纺织工学院学报;2000年01期
,本文编号:1850680
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