青海当代汉字篆刻艺术审美研究

发布时间：2018-05-24 07:02

本文选题：青海 + 当代　；参考：《青海民族大学》2016年硕士论文

【摘要】：篆刻作为一种古老的艺术形式,是将书法、刀法和章法三者的完美结合,经历漫长的社会发展需要,从最初的权力象征物到作为社会交往的凭证,最终以一种独立的艺术形式,登上历史舞台,随之便有各种艺术流派应运而生。致力于在方寸之间,推广文化,传播精神。青海篆刻艺术,作为篆刻不可分割的一帜,有其特有的艺术魅力。更有青海的篆刻艺术家不甘循规蹈矩,在前人篆刻技巧、技法的基础上,勇于开拓创新,给人焕然一新的视角冲击。文章在大量田野作业和文献综述相结合的基础上,完成了青海当代汉字篆刻艺术的审美分析。在田野作业中,运用音像设备进行记录,整理了较为宝贵的一手资料。第一章介绍青海篆刻艺术的兴起和对青海当代汉字篆刻艺术的发展现状进行梳理。由于青海篆刻艺术相关文献资料的匮乏,其兴起部分就由具有代表性的郭成均、晁景塘两位篆刻家着手进行阐述。第二章重点介绍青海当代汉字篆刻艺术家的同时,对这些艺术家的篆刻作品从审美的角度进行赏析。第三章在前两章研究的基础上,运用文艺学、民俗学的相关理论知识,把青海当代汉字篆刻艺术置于美学理论的框架内,进行篆刻美学的理论阐释。分别探讨了青海当代汉字篆刻艺术的审美特色、审美境界以及本土文化的审美。青海当代篆刻艺术独具特色,对其篆刻作品的审美分析具有一定的现实意义,为篆刻美学理论研究做一些力所能及的补充和完善。更有利于发挥青海篆刻艺术在群众中独特的文化功能,为传统文化的保护和传承提供一定的借鉴。
[Abstract]:Seal cutting, as an ancient art form, is a perfect combination of calligraphy, knife and rules, going through a long period of social development, from the original symbol of power to the certificate of social interaction, and finally to an independent artistic form. On the stage of history, there are a variety of art schools came into being. Committed to the square inch between, promote culture, spread the spirit. Qinghai seal cutting art, as an inseparable seal cutting, has its unique artistic charm. More Qinghai seal cutting artists are not willing to follow the rules, in the previous seal cutting techniques, on the basis of the courage to open up and innovate, give people a new perspective impact. Based on the combination of a lot of field work and literature review, this paper completes the aesthetic analysis of the art of seal cutting of contemporary Chinese characters in Qinghai. In the field work, the use of audio-visual equipment to record, collate more valuable primary data. The first chapter introduces the emergence of Qinghai seal cutting art and the development of contemporary Chinese character seal cutting art in Qinghai. Due to the lack of literature about seal cutting art in Qinghai, the rising part of it is explained by representative Guo Chengjun and Chao Jingtang's two seal engravers. The second chapter focuses on Qinghai contemporary Chinese seal engraving artists while appreciating these artists' seal cutting works from an aesthetic point of view. On the basis of the first two chapters, the third chapter puts the art of seal cutting of contemporary Chinese characters in Qinghai into the framework of aesthetic theory and explains the aesthetics of seal cutting by using the relevant theoretical knowledge of literature and art and folklore. This paper discusses the aesthetic characteristics, aesthetic realm and local culture of contemporary Chinese character seal cutting art in Qinghai. Qinghai's contemporary seal cutting art has its unique characteristics, and it has certain practical significance to the aesthetic analysis of its seal cutting works, which can be added and perfected to the theoretical research of seal cutting aesthetics. More conducive to the Qinghai seal cutting art in the masses of unique cultural functions, for the protection and inheritance of traditional culture to provide some reference.
【学位授予单位】：青海民族大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J292.4

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