临帖与创作观

发布时间：2018-05-25 00:27

本文选题：袁安碑 + 乙瑛碑　；参考：《中国书法》2015年23期

【摘要】：正临帖是学习前人书法的有效手段,只有在临帖这一阶段打下坚实基础,汲取前人创作的经验和精华,才有可能创作出"古不乖时,今不同弊"的好作品。临帖不仅要临得形似,而且要做到神似。临帖要做到形似,下笔自然须缓慢;要写出神气来,则必须熟练迅速。如学习篆、隶书,《袁安碑》《礼器碑》《乙瑛碑》《曹全碑》等汉代篆、隶名碑书法,必须成竹在胸,烂熟于
[Abstract]:It is an effective means to study the calligraphy of predecessors. Only when we lay a solid foundation in this stage and draw on the experience and essence of the predecessors can we create good works of "when the ancient times are not good, now are different." Not only to face the appearance of similar, but also to achieve divine resemblance. In order to achieve likeness, writing must be slow; to write, you must be skillful and quick. For example, studying seal character, official script, < Yuan'an tablet, < ritual ware tablet > < Yi Ying tablet > Cao Quan tablet, and so on.
【分类号】：J292.1

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