论晚明竖轴书法的形式表现

发布时间：2018-06-17 11:55

  本文选题：书法艺术 + 晚明书法　； 参考：《艺术百家》2015年S2期

【摘要】：形式是事物形状、构造以及表现手法的显现和外化,是相对于内容而言的。书法形式包括书法的点画形态、构型、章法布局以及幅式等,书法艺术的深厚内涵是借助这些视觉能够捕捉到的外在形式表现出来的。晚明伴随着竖轴形式的流行,人们对书法的欣赏和创作视角发生了重大变化,即从俯视到仰视,从近察到远观,从细品到粗览的转变。竖轴是悬挂起来专门供人欣赏的,放眼望去,作品是作为整体呈现给观者的,眼球首先捕捉到的是作品的整体效果,那么整体的章法布局和视觉形式日渐成为人们关注的重心。文章从凸显作品的整体效果和强化视觉审美两个方面分析晚明竖轴书法的形式表现,并剖析与之相适应的社会、文化背景。
[Abstract]:Form is the appearance and externalization of the shape, construction and expression of things, relative to the content. The form of calligraphy includes the shape, configuration, layout and style of calligraphy. The deep connotation of calligraphy art is expressed by the external forms which can be captured by these visual. With the popularity of vertical axis in the late Ming Dynasty, great changes have taken place in the perspective of appreciation and creation of calligraphy, that is, from overlooking to looking up, from close observation to distant view, from fine goods to rough view. The vertical axis is hung up specially for people to appreciate, looking at, the work is presented to the viewer as a whole, the eyeball first captures the overall effect of the work, so the overall layout and visual form of the whole become the focus of people's attention day by day. This paper analyzes the formal expression of vertical axis calligraphy in the late Ming Dynasty from the aspects of highlighting the overall effect of the works and strengthening the visual aesthetics, and analyzes the social and cultural background corresponding to it.
【作者单位】： 北京工业大学艺术设计学院;
【分类号】：J292.1
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本文编号：2030952