以颜体书风为主导的书法创作思考

发布时间：2018-06-17 12:20

本文选题：临摹与创作 + 颜体书风　；参考：《河北大学》2017年硕士论文

【摘要】：此论文的题目为《以颜体书风为主导的书法创作思考》,是解释说明本次书法毕业作品的一个说明性文字,与《以颜体书风为主导的书法创作》图册相应而生,互为补充说明。本文首先阐述了我对艺术的几点思考和见解,以便更好的诠释我的毕业作品所要传达的思想内容与精神内涵。在认识自己心灵的前提下进行审美活动与创作实践,这是艺术家身为灵魂的传递者应具有的特质。美与美感是不同的,一个是客观存在的,一个是主观感受的,艺术家应该赋予作品以真实的情感与思想表达,这样的作品才是有生命力的同时也是具备传承价值的艺术品。书法艺术家应是灵魂的书写者与,是真实不虚的去传达情感与思想的工程师与桥梁,对传统的继承和对当代社会的观照是当代书法艺术家应该承担起的职责与任务。随后对本次毕业作品的准备过程的做了详细的分析与说明。并配以作品图片,力图使表达清晰明了。本人试图用作品“说话”,紧扣我对艺术的思考与理念,及我对“颜体书风”和“线条艺术”的理解。本次毕业展作品分别借鉴了颜真卿,何绍基与井上有一三位古今书法家的作品。《高级动物》、《庄子·天下篇》、《颜真卿碑帖八种意写》、《二维码》和《八卦》等是本次毕业展的主要创作作品,其中《二维码》和《八卦》这两幅作品分别在形式与内容上做了新的尝试与探索,其书法特征的现代性和视觉感更强烈,并且引入了“书法摇滚”的理念,不仅仅局限于中国的笔、墨、纸,而是大胆的运用的西方的绘画材料与中国文字相结合的方式。并且,在线条的表达上希望能尽量体现书写性和丰富的变化,并使其成为和谐统一的整体,呈现出既和谐又具有强烈视觉冲击力的书法艺术作品,从而进一步透过作品的形式与内容看到其背后所要传达的思想感情,以期能引起人们的思考与批判。这种中国与西方,古代与现代相结合的作品,是本次书法毕业创作的一个创新点和探索性试验。愿老师、前辈多加斧正。
[Abstract]:The title of this thesis is "calligraphy creation thinking in the style of Yan style", which is an illustrative text to explain this calligraphy graduation work, and it is corresponding to the "calligraphy creation with the style of Yan style calligraphy", which is a supplementary explanation to each other. This article first elaborated my several thoughts and opinions to the art, in order to better annotate my graduation work to convey the thought content and the spiritual connotation. Aesthetic activities and creative practices under the premise of knowing one's own soul are the characteristics of the artist as the transporter of the soul. Beauty and aesthetic sense are different, one is objective existence, the other is subjective feeling, the artist should endow the work with real emotion and thought expression. The calligraphic artist should be the writer and the writer of the soul, the engineer and bridge to convey emotion and thought, and the inheriting of the tradition and the reflection of the contemporary society is the duty and task that the contemporary calligraphy artist should undertake. Then the preparation process of the graduation work to do a detailed analysis and explanation. And with a picture of the work, trying to make the expression clear. I try to use the work "speak", close to my thinking and concept of art, and my understanding of "Yan style" and "line art". The works of this graduation exhibition draw lessons from Yan Zhenqing, He Shaoji and Inoue have one or three works of calligraphers from ancient and modern times. "Advanced Animals", "Zhuangzi World", "eight kinds of written works of Yan Zhenqing's Monument", "Two-dimensional Code" and "gossip" are the main creative works of this graduation exhibition. Among them, "Two-dimensional Code" and "gossip" have made new attempts and explorations in form and content respectively. The modernity and visual sense of calligraphy features are stronger, and the idea of "calligraphy rock" is introduced. Not limited to Chinese pen, ink, paper, but the bold use of Western painting materials combined with Chinese characters. In addition, the expression of online bars hopes to reflect the writing and rich changes as far as possible, and make it a harmonious and unified whole, showing both harmony and strong visual impact of calligraphy works, Through the form and content of the work, we can see the thoughts and feelings behind it, so as to arouse people's thinking and criticism. This combination of Chinese and Western, ancient and modern works is an innovative point and exploratory experiment of calligraphy graduation creation. May the teacher, the older generation add more axes.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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