孙吴草书研究
发布时间：2018-07-25 20:08
【摘要】：中国书法有五千年历史积淀,五种书体的形成必须经过长时间的发展和演变,其发展和演变的历史过程并不是孤立的存在,而是与其特有的文化环境和历史背景紧密相联。因此,要探究草书在三国时期吴国的发展状况及审美风格,就需要对当时的书体的不同样态、文字的物质载体以及草书在不同时段,不同地域,不同阶层,不同功用等方面所表现出来的特征进行综合分析。本文以近年来在湖南长沙、郴州等吴国故地出土的吴简和历史上流传有序的吴国名家草书法帖为主要资料,结合书法史及相关研究成果,研究吴国草书的发展状况及审美风格。三国时代是我国书法处在承前启后,新旧交替,推陈出新,百花齐放的重要时期,是一个人文精神高扬,走向文化艺术自觉的时代。东汉末年,书法中的五种书体都已出现,到了三国时代各书体都在迅速地发展。在文字的发展演变过程中,三国时代有其不可替代的意义。并且孙吴故地人杰地灵,随着后来晋室东迁,文化的中心也随之转移,其后诸多书家皆出于此地。随着时代的发展,考古工作(包括技术与观念两方面)的进步,三国时期的出土文献资料不断涌现和充实,使得三国时期书法史的内容一直处在被改写的动态中。由考古工作所带来的科技不断进步,当代三国书法文献的大量面世,弥补了书法史写作材料的不足,对其进行系统梳理是必要的。《孙吴草书研究》,主要从以下五个方面展开:一、以吴简中的草书墨迹去比对后世流传的吴国草书名家的法帖,结合文献资料,考察草书在吴国内部不同阶层间的发展状况。二、比较吴国与魏国的草书的整体风貌,研究吴国草书发展的外部环境和历史背景(蜀国的草书,不论是文物发现还是文献记载都非常稀少,故不纳入比较之列)。三、将吴国草书与东汉及魏晋草书做对比,研究吴国草书的传承与发展关系。四、对三国吴简的形态考察,考量吴简中草书在各书体中所占的比重与发展程度。五、研究三国时期吴国草书的审美风格和历史价值。
[Abstract]:Chinese calligraphy has five thousand years of history accumulation, the formation of five types of calligraphy must go through a long period of development and evolution, its development and evolution of the historical process is not an isolated existence, but closely related to its unique cultural environment and historical background. Therefore, in order to explore the development and aesthetic style of cursive script in the three Kingdoms period, it is necessary to study the different forms of calligraphy, the material carrier of writing, and the cursive script in different periods, different regions and different classes. The features of different functions are analyzed synthetically. Based on Wu bamboo slips unearthed in recent years in Changsha, Chenzhou, Hunan, and the famous cursive calligraphy in history, combined with the history of calligraphy and related research results, this paper studies the development and aesthetic style of cursive calligraphy in Wu. The period of the three Kingdoms is an important period for Chinese calligraphy to carry on the past and the future, the new and the old to alternate, and to bring forth the old and bring forth new flowers. It is an era in which the humanistic spirit is exalted and the cultural and artistic consciousness is on the way. At the end of the Eastern Han Dynasty, five types of calligraphy had appeared, and by the time of the three Kingdoms, they were developing rapidly. In the course of the development and evolution of characters, the three Kingdoms era has its irreplaceable significance. And Sun Wu's native place was famous and the center of culture shifted along with the eastward relocation of Jin Dynasty, and a lot of calligraphers came from this place. With the development of the times, the progress of archaeological work (including technology and concept) and the continuous emergence and enrichment of the documents unearthed during the three Kingdoms period, the content of the calligraphy history of the three Kingdoms period has been in the dynamic of being rewritten. The progress of science and technology brought about by archaeological work and the emergence of a large number of calligraphy documents in the three contemporary countries have made up for the shortage of writing materials in the history of calligraphy. It is necessary to systematically sort it out. The study of Soon-Wu cursive script is mainly carried out from the following five aspects: first, comparing the ink of cursive calligraphy in Wu Bamboo slips to the legal posts of the famous cursive calligraphers of the State of Wu who have been handed down in later generations, and combining with the literature and materials, To investigate the development of cursive script in different strata within the state of Wu. Second, compare the overall style of cursive script between Wu and Wei, and study the external environment and historical background of the development of cursive script in Wu (Shu cursive script, whether the discovery of cultural relics or documentation are very rare, so they are not included in the comparison). Third, compare the cursive script of Wu with that of the Eastern Han Dynasty and Wei and Jin dynasties, and study the relationship between the inheritance and development of the cursive script of Wu. Fourth, the form of Wu Bamboo slips in the three Kingdoms is investigated, and the proportion and development of cursive calligraphy in Wu Bamboo slips are considered. Fifth, study the aesthetic style and historical value of cursive calligraphy of Wu State in the three Kingdoms period.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
本文编号：2144938
[Abstract]:Chinese calligraphy has five thousand years of history accumulation, the formation of five types of calligraphy must go through a long period of development and evolution, its development and evolution of the historical process is not an isolated existence, but closely related to its unique cultural environment and historical background. Therefore, in order to explore the development and aesthetic style of cursive script in the three Kingdoms period, it is necessary to study the different forms of calligraphy, the material carrier of writing, and the cursive script in different periods, different regions and different classes. The features of different functions are analyzed synthetically. Based on Wu bamboo slips unearthed in recent years in Changsha, Chenzhou, Hunan, and the famous cursive calligraphy in history, combined with the history of calligraphy and related research results, this paper studies the development and aesthetic style of cursive calligraphy in Wu. The period of the three Kingdoms is an important period for Chinese calligraphy to carry on the past and the future, the new and the old to alternate, and to bring forth the old and bring forth new flowers. It is an era in which the humanistic spirit is exalted and the cultural and artistic consciousness is on the way. At the end of the Eastern Han Dynasty, five types of calligraphy had appeared, and by the time of the three Kingdoms, they were developing rapidly. In the course of the development and evolution of characters, the three Kingdoms era has its irreplaceable significance. And Sun Wu's native place was famous and the center of culture shifted along with the eastward relocation of Jin Dynasty, and a lot of calligraphers came from this place. With the development of the times, the progress of archaeological work (including technology and concept) and the continuous emergence and enrichment of the documents unearthed during the three Kingdoms period, the content of the calligraphy history of the three Kingdoms period has been in the dynamic of being rewritten. The progress of science and technology brought about by archaeological work and the emergence of a large number of calligraphy documents in the three contemporary countries have made up for the shortage of writing materials in the history of calligraphy. It is necessary to systematically sort it out. The study of Soon-Wu cursive script is mainly carried out from the following five aspects: first, comparing the ink of cursive calligraphy in Wu Bamboo slips to the legal posts of the famous cursive calligraphers of the State of Wu who have been handed down in later generations, and combining with the literature and materials, To investigate the development of cursive script in different strata within the state of Wu. Second, compare the overall style of cursive script between Wu and Wei, and study the external environment and historical background of the development of cursive script in Wu (Shu cursive script, whether the discovery of cultural relics or documentation are very rare, so they are not included in the comparison). Third, compare the cursive script of Wu with that of the Eastern Han Dynasty and Wei and Jin dynasties, and study the relationship between the inheritance and development of the cursive script of Wu. Fourth, the form of Wu Bamboo slips in the three Kingdoms is investigated, and the proportion and development of cursive calligraphy in Wu Bamboo slips are considered. Fifth, study the aesthetic style and historical value of cursive calligraphy of Wu State in the three Kingdoms period.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
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