朴学与清代书法关系研究

发布时间：2018-08-03 07:23

【摘要】：中国书法在清之前历经了五体书体的形成和发展,在魏晋南北朝时各体书体完备,书法的发展由不自觉的使用到逐渐自觉地审美艺术。而清代书法在由明代的取法唐人、自由书写,逐渐转向回归师宗秦汉篆隶、以古为师的变化。清代书法的风格发展,与那时学术风气有很大的关系。学者在清朝统治者施行的文化政策下,思想界积极的倡导反经归本,使学术研究具有更高的道德感和责任感,儒学“经世致用”的本质被视为艺术性取向的最高标准。当时的学者及金石家大力提倡学习秦汉篆隶。随之而来的朴学也开始崭露头角,继而影响了清代书法艺术的反思与重建。清代学者以客观知识为基础,而且经常从政治、社会、历史、哲学等领域内撷取资料以资辩证。加之金石文字资料的出土数量日渐繁多,训诂考据以真实可靠的实物为依据,进一步对金石、碑版的探究,朴学的日渐成熟意味着它对金石碑学以及碑学书法史的推动影响。这不仅使学者们对清代书法的形式与本质规律有着充分的认识,而且加之受到理学思辨和朴学实证两种治学方法的影响,清代书法呈现出“复古”的繁荣景象。
[Abstract]:Before the Qing Dynasty, Chinese calligraphy underwent the formation and development of the five-style calligraphy style. During the Wei, Jin, Southern and Northern dynasties, the calligraphy style was complete, and the development of Chinese calligraphy changed from unconsciously using to gradually consciously aesthetic art. The calligraphy of Qing Dynasty was written freely by the Tang people in the Ming Dynasty, and gradually changed to return to the seal script of the Qin and Han dynasties, taking the ancient times as the teacher. The development of calligraphy style in the Qing Dynasty had a great relationship with the academic atmosphere at that time. Under the cultural policy carried out by the rulers of the Qing Dynasty, scholars actively advocated against the classics, which made academic research have a higher sense of morality and sense of responsibility. The essence of Confucianism "utilising the world" was regarded as the highest standard of artistic sexual orientation. Scholars and goldsmiths at that time strongly advocated learning from the seal script of the Qin and Han dynasties. The following study of Park also began to emerge, and then influenced the reflection and reconstruction of calligraphy art in Qing Dynasty. Qing Dynasty scholars based on objective knowledge, and often from the political, social, historical, philosophical and other fields to extract information to dialectical. In addition, the unearthed quantity of jinshi characters is more and more, the textual research of exegesis is based on the real and reliable material object, and the further research on the jinshi and the tablet edition, the growing maturity of the simple study means its impelling influence on the jinshi tablet study and the calligraphy history of the stele study This not only makes scholars have a full understanding of the forms and essential laws of calligraphy in the Qing Dynasty, but also is influenced by the two research methods of Neo-Confucianism and Pu Xue, so that the calligraphy of the Qing Dynasty presents a prosperous scene of "restoring the ancient times".
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J292.1

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