《绛帖》研究

发布时间：2018-08-11 14:32

【摘要】：《绛帖》是由北宋潘师旦在山西绛州所摹刻的,虽然《绛帖》具体刻成于何时没有明确的史料记载,但亦是极早的私家刻帖。《绛帖》从问世之日起,便受到学书者的青睐。然而自潘师旦去世,其二子分家后,《绛帖》又几经翻刻,版本层出不穷,先后出现了东库本,新绛本,武冈本,“亮”字不全本等等。南宋中后期,《绛帖》祖本已经不易见到。研究《绛帖》的著作虽不少,但当时的学者也难以说清各个版本流传演变的关系。元明两代,《绛帖》受关注的程度有所降低,然亦有小部分书家对其进行收藏与研究。清代碑学兴起,然而帖学依然延续着强大的生命力,许多达官显贵都是帖学的忠实传承者,而《绛帖》作为刻帖中极重要的一个丛帖,依然受到很高的关注。从清初之时起,便不断有书家或收藏家对宋拓《绛帖》进行考证和收藏,他们对《绛帖》的重视程度不亚于《淳化阁帖》和《大观帖》。本文将主要讨论《绛帖》流传与演变的过程,以及现存各版本之间的关系。第一章就宋代《绛帖》的刊刻和版本流传作出详细的梳理与讨论,并主要就东库本的翻刻问题进行研究并提出新的看法；第二章对《绛帖》在元明两代的流传情况作一个简要的论述,其中涉及到部分书家与藏家对《绎帖》的关注情况,也是对此阶段《绛帖》接受史的一个补充；第三章就清代学者对《绛帖》的收藏与研究作必要梳理和讨论,并重点对伪本《绛帖》的相关问题作一番详细的论述。
[Abstract]:"crimson" was carved by Pan Shidan in Jiangzhou, Shanxi Province in Northern Song Dynasty. Although "crimson" was carved in concrete form when there was no clear historical record, it was also an early private engraving. However, since Pan died, his two sons separated, "crimson" has been carved several times, versions have emerged in endlessly, successively appeared DongkuBen, new Jiang Ben, Wu Gang Ben, "bright" character incomplete and so on. In the middle and late Southern Song Dynasty, it was not easy to see the ancestor of "crimson". Although there are many works on crimson, it is difficult for scholars at that time to explain the relationship between the spread and evolution of each edition. In Yuan and Ming dynasties, crimson became less concerned, but a small number of calligraphers collected and studied it. In the Qing Dynasty, tablet studies rose, however, the study of placards continued to have a strong vitality, many officials and dignitaries are faithful inheritors of the post, and "crimson posts" as a very important group of posts in the engraved posts, still receive high attention. Since the beginning of the Qing Dynasty, scholars or collectors have been studying and collecting Song Tuo's crimson posts, and they pay as much attention to them as Chunhua Pavilion posts and Daguan posts. This paper will mainly discuss the spread and evolution of crimson and the relationship between the existing versions. The first chapter makes a detailed combing and discussion on the publication and edition of "crimson posts" in the Song Dynasty, and mainly studies and puts forward new views on the issue of the reprint of East Kuben. The second chapter makes a brief exposition on the spread of "crimson" in Yuan and Ming dynasties, which involves the attention of some booksellers and collectors, and it is also a supplement to the history of accepting "crimson posts" in this stage. The third chapter discusses the collection and research of crimson in Qing Dynasty, and focuses on the related issues of the pseudo-book "crimson".
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J292.1

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