葛月潭年谱
发布时间：2018-11-07 09:07
【摘要】：葛月潭(1854-1934),俗姓葛,道号明新,字月潭,别署枕流道者、震庚道人,八旬晋一时自号九九翁,沈阳太清宫丛林方丈。生于清咸丰四年(1854)二月初六日寅时,祖籍山东省邱县(今属河北省)张庄。晚年隐居斗姆宫。1934年羽化于太清宫,殓于千山葛公塔。葛月潭作为东北道教领袖和辽宁书画史上的名家,生活跨度时间长,阅历丰富,社会活动涉猎面广,传世书画作品多、艺术成就高,是研究辽宁书法史和中国地方书法史中不可回避的一个重要人物。然由于葛月潭的研究资料或失于战乱、或毁于政治运动、或真假难辨、或材料零散,研究难度很大。目前可考的研究成果中,多局限于其宗教活动与宗教影响,对葛月潭其人其书的关注还远远不够;对于其艺术思想的形成与发展、书法文献和书法作品的真伪甄别都尚未进行全面深入的研究,也没有有形成一部真正意义上的葛月潭研究著作。鉴于上述情况,本文试图从书法角度切入,以葛月潭书画作品为线索,参照其遗墨、书画、扇面、尺牍、文稿、诗词等,兼顾与友人的交游手记、唱和诗稿、文人雅集和题跋等对其书法文献进行深入解读,以编年的方法辑录其可考的文献资料,还原葛月潭其人其书的真实面目;在整理整合其人其事的同时归纳其书法创作风格,进一步提炼出其中的书法文献价值;从而跳出历来对葛月潭其人其书法泛泛品评的樊篱,以崭新的思路、全面的视角,对葛月潭本人及其书法文献内容进行深入解读,以期对葛月潭书法的后续研究提供可资借鉴的资料。
[Abstract]:GE Yuetan (1854-1934), vulgar surnames GE, Dao name Ming Xin, word Yuetan, other agency pillow runner, Zhen Geng Taoist, octogenarian Jin 1 self-Nine Weng, Shenyang Taiqing Palace jungle abbot. Born in Qing Xianfeng four years (1854) February 6 th, ancestral Qiu County, Shandong Province (now Hebei Province) Zhangzhuang. In his old age, he lived in Dumu Palace. In 1934, he emerged in the Taiqing Palace and was encoffined in the Gegong Tower of Thousand Mountains. GE Yuetan, a Taoist leader in Northeast China and a famous scholar in the history of painting and calligraphy in Liaoning Province, has a long life span, a rich experience, a wide range of social activities, many calligraphy and painting works handed down from generation to generation, and high artistic achievements. It is an important figure in the history of calligraphy in Liaoning Province and in the history of Chinese local calligraphy. However, because the research materials of GE Yuetan were lost in the war, or destroyed by political movements, or difficult to distinguish between the true and false, or scattered materials, the research is very difficult. At present, most of the available research results are limited to its religious activities and religious influence, and the attention to GE Yuetan's books is far from enough; For the formation and development of his artistic thought, there has not been a thorough study on the authenticity of calligraphy literature and calligraphy works, nor has there been a real study of GE Yuetan. In view of the above situation, this paper attempts to cut from the perspective of calligraphy, taking GE Yuetan's calligraphy and painting works as a clue, referring to the ink, calligraphy, painting, fan, written slips, manuscripts, poems, etc. The literati's elegant collection and the inscription and postscript deeply unscramble his calligraphy documents, compile the documents which can be tested by the method of chronology, and restore the true features of GE Yuetan's books. At the same time, the author summarizes his calligraphy creation style and further refines the value of calligraphy literature. In order to jump out of the historical fence of his general comments on calligraphy, with a new way of thinking and a comprehensive angle of view, he and his calligraphy literature content are deeply interpreted. With a view to Geyuetan calligraphy follow-up research can be used for reference.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
本文编号：2315869
[Abstract]:GE Yuetan (1854-1934), vulgar surnames GE, Dao name Ming Xin, word Yuetan, other agency pillow runner, Zhen Geng Taoist, octogenarian Jin 1 self-Nine Weng, Shenyang Taiqing Palace jungle abbot. Born in Qing Xianfeng four years (1854) February 6 th, ancestral Qiu County, Shandong Province (now Hebei Province) Zhangzhuang. In his old age, he lived in Dumu Palace. In 1934, he emerged in the Taiqing Palace and was encoffined in the Gegong Tower of Thousand Mountains. GE Yuetan, a Taoist leader in Northeast China and a famous scholar in the history of painting and calligraphy in Liaoning Province, has a long life span, a rich experience, a wide range of social activities, many calligraphy and painting works handed down from generation to generation, and high artistic achievements. It is an important figure in the history of calligraphy in Liaoning Province and in the history of Chinese local calligraphy. However, because the research materials of GE Yuetan were lost in the war, or destroyed by political movements, or difficult to distinguish between the true and false, or scattered materials, the research is very difficult. At present, most of the available research results are limited to its religious activities and religious influence, and the attention to GE Yuetan's books is far from enough; For the formation and development of his artistic thought, there has not been a thorough study on the authenticity of calligraphy literature and calligraphy works, nor has there been a real study of GE Yuetan. In view of the above situation, this paper attempts to cut from the perspective of calligraphy, taking GE Yuetan's calligraphy and painting works as a clue, referring to the ink, calligraphy, painting, fan, written slips, manuscripts, poems, etc. The literati's elegant collection and the inscription and postscript deeply unscramble his calligraphy documents, compile the documents which can be tested by the method of chronology, and restore the true features of GE Yuetan's books. At the same time, the author summarizes his calligraphy creation style and further refines the value of calligraphy literature. In order to jump out of the historical fence of his general comments on calligraphy, with a new way of thinking and a comprehensive angle of view, he and his calligraphy literature content are deeply interpreted. With a view to Geyuetan calligraphy follow-up research can be used for reference.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1
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，本文编号：2315869
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