刍议中国画与书法中的“势”
发布时间：2018-12-28 12:51
【摘要】：中国传统绘画与书法同是中国传统的文化艺术精髓,有着共同的文化内涵和相通的艺术审美,两种艺术形式的发展一直相辅相成,不仅使用相同的艺术载体,更形成了相通的创作理念。“势”是一种潜藏在书画艺术中的具有方向性的力量,这种力量蕴含了中国传统文化哲学思想和艺术审美标准。在书画创作中,“势”的运用直接决定了画面的张力和气场,无论创作构思、画面构图、章法布局、笔力行走,“势”无处不在。本文立足于创作中的构思、构图,从构思取象中吸取的造化之势、进行构图时审时度势巧妙经营所得的布局之势,到创作者积淀感情融入创作而得情感之势,将中国画与书法中的“势”分别加以分析和比较。“势”作为画论与书论中的重要范畴,对中国书画创作产生了深远的影响,但在追求“势”的过程中,要尊重自然法则与艺术规律,在规则中以有限的空间表现无限的气韵精神,将传统意蕴与现代精神相融合。
[Abstract]:Chinese traditional painting and calligraphy are both the essence of Chinese traditional culture and art. They have the same cultural connotation and the same artistic aesthetic. The development of the two forms of art has always been complementary, not only using the same artistic carrier. Also formed the same creation idea. "potential" is a kind of directional force hidden in calligraphy and painting art, which contains Chinese traditional cultural philosophy thought and artistic aesthetic standard. In calligraphy and painting creation, the use of "potential" directly determines the tension and air field of the picture, whether creative conception, picture composition, layout of composition, pen force walking, "potential" everywhere. This article is based on the idea in the creation, the composition, the potential of the creation absorbed from the conception, and the tendency of the layout obtained by the skillful management when the composition is carried out, to the tendency of the creators' accumulated feelings to merge into the creation and get the emotion. The "potential" in Chinese painting and calligraphy is analyzed and compared respectively. As an important category in painting theory and calligraphy theory, "potential" has exerted a profound influence on Chinese painting and calligraphy creation, but in the process of pursuing "potential", it is necessary to respect the laws of nature and art. Express infinite spirit of charm in the limited space in the rule, combine the traditional meaning with the modern spirit.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J212;J292.4
本文编号：2393963
[Abstract]:Chinese traditional painting and calligraphy are both the essence of Chinese traditional culture and art. They have the same cultural connotation and the same artistic aesthetic. The development of the two forms of art has always been complementary, not only using the same artistic carrier. Also formed the same creation idea. "potential" is a kind of directional force hidden in calligraphy and painting art, which contains Chinese traditional cultural philosophy thought and artistic aesthetic standard. In calligraphy and painting creation, the use of "potential" directly determines the tension and air field of the picture, whether creative conception, picture composition, layout of composition, pen force walking, "potential" everywhere. This article is based on the idea in the creation, the composition, the potential of the creation absorbed from the conception, and the tendency of the layout obtained by the skillful management when the composition is carried out, to the tendency of the creators' accumulated feelings to merge into the creation and get the emotion. The "potential" in Chinese painting and calligraphy is analyzed and compared respectively. As an important category in painting theory and calligraphy theory, "potential" has exerted a profound influence on Chinese painting and calligraphy creation, but in the process of pursuing "potential", it is necessary to respect the laws of nature and art. Express infinite spirit of charm in the limited space in the rule, combine the traditional meaning with the modern spirit.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J212;J292.4
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1 景舜逸;;书法——开合[J];希望月报;2006年18期
相关重要报纸文章 前1条
1 曹玉林;[N];美术报;2006年
，本文编号：2393963
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