龚贤书法研究

发布时间：2018-12-30 20:54

【摘要】：龚贤为清初著名画家、位列“金陵八家”之首。一直以来,龚贤的书法名声被其绘画、诗歌所掩。本文主要结合龚贤各时期的绘画风格,与书法变化进行相互印证,从书法的角度介绍书法史上的龚贤。为了更加细致深入地阐述本文观点,笔者将以龚贤所处的时代论起,深入挖掘龚贤所处时代的政治、经济、文化等一系列情况,梳理龚贤书法的师承脉络,让人了解龚贤画风从白龚到黑龚一系列变化对书法的影响。本文分为四大部分:第一部分,龚贤书风形成的历史背景。这一部分主要阐释明末清初的书法风格、书风的成因,为引出龚贤的书法师承、书风特点等做铺垫。综合各种资料,介绍龚贤的生平及游历各地情况。第二部分,龚贤书法的师承关系。通过查看《龚贤年谱》、书画传世作品,理清其书法的师承脉络。第三部分,龚贤书法的特点。针对龚贤的用笔方法,分析“白龚”、“灰龚”、“黑龚”对书法的影响。第四部分,龚贤书法对后世的影响。结合龚贤“以画入书”,演进到龚贤书法美学对后世的影响。从而得出“象”与“意”的表现方式,以及龚贤“中和之美”的宏达气象。
[Abstract]:Gong Xian, a famous painter in the early Qing Dynasty, ranks first among the eight Jinling families. Gong Xian's reputation in calligraphy has long been masked by his paintings and poems. This article mainly combines Gong Xian's painting style of each period, and carries on the mutual confirmation with the calligraphy change, introduces Gong Xian in the calligraphy history from the calligraphy angle. In order to expound the viewpoint of this article more carefully and deeply, the author will study the political, economic and cultural situation of Gong Xian's time, and sort out the history of Gong Xian's calligraphy, based on the theory of the times in which Gong Xian lived, and deeply excavated the political, economic and cultural situations of Gong Xian's time. Let people understand Gong Xian painting style from Bai Gong to Heigong a series of changes in calligraphy. This paper is divided into four parts: the first part, the historical background of the formation of Gong Xianshu style. This part mainly explains the style of calligraphy in the late Ming and early Qing Dynasty and the causes of the style of calligraphy, laying the groundwork for the introduction of Gong Xian's calligraphy teacher and the characteristics of the style of calligraphy. Comprehensive various materials, introduce Gong Xian's life and travel around the situation. The second part, Gong Xian calligraphy teacher-in-law relationship. By looking at Gong Xian's Nian Chronicles, calligraphy and painting handed down works, to clarify its calligraphy of the lineage. The third part, the characteristics of Gong Xian calligraphy. According to Gong Xian's method of using pen, this paper analyzes the influence of "Bai Gong", "Grey Gong" and "Black Gong" on calligraphy. The fourth part, the influence of Gong Xian calligraphy on later generations. Combining Gong Xian's painting into Books, the influence of Gong Xian's calligraphy aesthetics on later generations. Thus, the expression of "Xiang" and "Yi", as well as Gong Xian's "the beauty of neutralization" is obtained.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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