唐隶书法研究

发布时间：2019-01-02 14:24

【摘要】：唐代是各体书法繁盛的时代,其中,隶书一体作品众多,名家辈出。因此,唐代在书法史上有“隶书之兴”之说,在后世也不断地发展演变。本文从政治、经济、宗教以及教育制度等几个方面来简述唐隶兴盛的背景情况,然后通过对唐隶的代表书家、代表作品进行多方面赏析,从而对唐隶有个更加全面的认识,也为本文的重点唐隶与汉隶、清隶的比较分析这一章节作铺垫作用。最后,纵观全文,总结唐隶在恢复隶书传统笔法、结构以及对宋元明清隶书发展方面的影响,并指出其不足之处和对我们学习隶书的启示。希望通过对该论文的研究还以唐隶在唐代书法史上应有的地位以及它本身的艺术价值,补充原先对其过于简略的论述,并对其作出客观的评价,了解其不足,以期对其有个更深入、更准确的定位。
[Abstract]:Tang Dynasty is a prosperous era of calligraphy, among them, Li calligraphy works numerous, famous scholars. Therefore, the Tang Dynasty in the history of calligraphy, "Li Shu Xing" theory, in later generations also continued to develop and evolve. This paper briefly describes the background of the prosperity of Tang Li from the aspects of politics, economy, religion and education system, and then through analyzing the representative calligraphers and representative works of Tang Li in many ways, so as to have a more comprehensive understanding of Tang Li. Also for the focus of this article Tang Li and Han Li, Qing Li comparative analysis of this chapter to pave the way. Finally, the paper summarizes the influence of Tang Li on the restoration of the traditional style, structure and development of the official script in the Song, Yuan and Ming and Qing dynasties, and points out its shortcomings and the enlightenment to our study of the official script. It is hoped that through the study of this paper, Tang Li's position in the history of calligraphy in the Tang Dynasty and its own artistic value will be added to the original exposition too brief, and an objective evaluation will be made to understand its shortcomings. With a view to its deeper, more accurate positioning.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J292.1

【共引文献】