十五至十六世纪金陵书法的区域性考察
发布时间：2019-01-02 16:02
【摘要】： 本文从书法与区域社会文化研究的角度,对一向被书法史不甚关注的十五至十六世纪金陵书法进行较为全面的区域性考察,研究分析在特定的区域文化下金陵书家的构成、交游、书法的发展演变形态及其在书法史的地位意义。文章认为此期金陵地域书家及区域文化对吴门书家书法的形成与声名流布有过重要影响,推动了文人篆刻的发展;金陵是明代书法交流的核心场域,金陵书法见证了明代书法的盛衰变迁;《金陵名贤帖》第一次以刻帖形式汇集地域书家书作,开地域刻帖之先河。本文主要分为七个部分: 第一部分交代选题的缘起,研究现状、研究意义,并对核心概念进行界定,同时说明本文使用文献来源情况与研究思路。 第二部分简略描述金陵地区独特的区域位置、区位优势、人文环境以及书法传统积淀等十五至十六世纪金陵书法形成发展的区域背景知识。 第三部分通过文献著录辑佚钩沉十五至十六世纪金陵书家的总体简况,以直观的表格形式分类整理,进而分析其构成特征状况。 第四部分析认为士人对于金陵有着强烈的认同与向往,金陵的交游环境良好,并以金陵、吴门两地若干代表性书家的交游为视角,梳理金陵书家交游及其对吴门书家的影响,进而阐述金陵书家及士人交游的场域效应与交游意义。 第五部分从风格审美角度分析十五至十六世纪金陵书法发展演变的三个阶段性特征,论述金陵篆书状况及金陵书家对明中后期文人篆刻兴起发展的推动作用,逐一考定成化至嘉靖年间活跃于金陵地区的若干书画鉴藏家,并论述其对金陵书法的影响。 第六部分探赜第一本地域性刻帖《金陵名贤帖》的编刻、特征与史学意义。 第七部分总结论述金陵书法的书法史地位、金陵书法衰落原因,并提出关于区域考察、中小名头书家研究等书法史研究视角的相关思考。
[Abstract]:From the perspective of calligraphy and regional social culture, this paper makes a comprehensive regional investigation of Jinling calligraphy in the 15th and 16th centuries, which has not been paid much attention to in the history of calligraphy, and studies and analyzes the composition of Jinling calligraphers under the specific regional culture. Friendship, the evolution of calligraphy and its significance in the history of calligraphy. The article holds that the regional calligraphers and regional culture in Jinling period had an important influence on the formation and popularity of the calligraphy of Wu Men calligraphers, which promoted the development of literati seal cutting. Jinling is the core field of calligraphy exchange in Ming Dynasty. Jinling calligraphy witnessed the vicissitudes of calligraphy in Ming Dynasty. This paper is divided into seven parts: the first part describes the origin of the topic, the status quo of the study, the significance of the study, and the definition of the core concepts, and explains the use of literature sources and research ideas. The second part briefly describes the regional background knowledge of the formation and development of Jinling calligraphy from 15th to 16th century, such as the unique regional position, location advantage, humanistic environment and calligraphy tradition accumulation in Jinling area. In the third part, the general situation of Jinling calligraphers from 15th to 16th century is summarized and sorted out in the form of intuitionistic tabular form, and then the characteristics of its composition are analyzed. The fourth part points out that the scholars have strong recognition and yearning for Jinling, and Jinling's friendly environment is good, and from the perspective of Jinling and Wu Men's representative calligraphers, the author sorts out the Jinling calligrapher's friendship and its influence on Wu Men's calligraphers. Then it expounds the field effect and significance of the Scholars and Scholars in Jinling. The fifth part analyzes three stages of the development and evolution of Jinling calligraphy from the angle of style and aesthetics, and discusses the status of Jinling seal script and the role of Jinling calligraphers in promoting the rise and development of literati seal cutting in the middle and late Ming Dynasty. Several calligraphers who were active in Jinling area during the period from Dingcheng to Jiajing were studied one by one, and their influence on Jinling calligraphy was discussed. The sixth part explores the compilation, features and historical significance of the first regional inscription of Jinling. The seventh part summarizes the status of calligraphy history of Jinling, the reasons for the decline of calligraphy in Jinling, and puts forward some thoughts on the perspective of calligraphy history research, such as regional investigation and the study of middle and small famous calligraphers.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2008
【分类号】：J292.1
本文编号：2398702
[Abstract]:From the perspective of calligraphy and regional social culture, this paper makes a comprehensive regional investigation of Jinling calligraphy in the 15th and 16th centuries, which has not been paid much attention to in the history of calligraphy, and studies and analyzes the composition of Jinling calligraphers under the specific regional culture. Friendship, the evolution of calligraphy and its significance in the history of calligraphy. The article holds that the regional calligraphers and regional culture in Jinling period had an important influence on the formation and popularity of the calligraphy of Wu Men calligraphers, which promoted the development of literati seal cutting. Jinling is the core field of calligraphy exchange in Ming Dynasty. Jinling calligraphy witnessed the vicissitudes of calligraphy in Ming Dynasty. This paper is divided into seven parts: the first part describes the origin of the topic, the status quo of the study, the significance of the study, and the definition of the core concepts, and explains the use of literature sources and research ideas. The second part briefly describes the regional background knowledge of the formation and development of Jinling calligraphy from 15th to 16th century, such as the unique regional position, location advantage, humanistic environment and calligraphy tradition accumulation in Jinling area. In the third part, the general situation of Jinling calligraphers from 15th to 16th century is summarized and sorted out in the form of intuitionistic tabular form, and then the characteristics of its composition are analyzed. The fourth part points out that the scholars have strong recognition and yearning for Jinling, and Jinling's friendly environment is good, and from the perspective of Jinling and Wu Men's representative calligraphers, the author sorts out the Jinling calligrapher's friendship and its influence on Wu Men's calligraphers. Then it expounds the field effect and significance of the Scholars and Scholars in Jinling. The fifth part analyzes three stages of the development and evolution of Jinling calligraphy from the angle of style and aesthetics, and discusses the status of Jinling seal script and the role of Jinling calligraphers in promoting the rise and development of literati seal cutting in the middle and late Ming Dynasty. Several calligraphers who were active in Jinling area during the period from Dingcheng to Jiajing were studied one by one, and their influence on Jinling calligraphy was discussed. The sixth part explores the compilation, features and historical significance of the first regional inscription of Jinling. The seventh part summarizes the status of calligraphy history of Jinling, the reasons for the decline of calligraphy in Jinling, and puts forward some thoughts on the perspective of calligraphy history research, such as regional investigation and the study of middle and small famous calligraphers.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2008
【分类号】：J292.1
【引证文献】
相关硕士学位论文 前1条
1 张渝;金陵三俊与明中期金陵文化的兴盛[D];南京大学;2012年
，本文编号：2398702
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