论黄庭坚的书风形成及成就

发布时间：2019-01-05 02:19

【摘要】：本文主要论述的是黄庭坚的书风变化以及他在其他领域的成就和影响。黄庭坚是中国书法史上少有极富创新意识的书法家之一，他在学习了《瘗鹤铭》之后，奠定了他的大字楷书的特点，也形成为了黄庭坚独特书风的雏形。随后又受到了颜真卿，褚遂良，王羲之等人的影响，在行楷和行书中不断摸索如何形成自己独有的书风。虽然这个时期的作品还是能隐约看到前人的影子，但是黄庭坚一直在寻找突破口。中年时期的黄庭坚仕途不顺，遭遇一贬再贬，但是也许就是因为这样的人生境遇，使得黄庭坚的心境在被贬黔州后慢慢开始归于平淡，这点在他的作品中被呈现出来。按照黄庭坚的书风变化，我主要分成两个阶段，分别是学习阶段和创新的阶段。从研究的角度，我是选择通过分别研究黄庭坚的“楷，，行，草”的方法来比较他的书风，以黄庭坚五十岁之前为分界，前期的黄庭坚主要以学习模仿为主，这也为日后的书法创新奠定了坚实的基础。在黄庭坚中年时期，以黄山谷的行楷和行书独具代表性，这个时期我归纳为黄庭坚独特书风的萌芽时期。黄庭坚一直在创新的道路上孜孜不倦的探索，就是因为这种时间的积淀，使得黄庭坚在草书上最终形成了自己独有的“山谷体”。处于暮年的黄庭坚，已经卸下了思想的抱负，可以说一切都已置之度外，当然这点和黄庭坚长期与禅学的接触也有关联。就是在这种心态的驱使下，黄庭坚的草书更加的洒脱，气势也更宏大。在研究黄庭坚书风的变化时，我选取了黄山谷几部具有代表性的字帖，例如《王长者墓志铭稿》，《松风阁》，《诸上座帖》等。从这些字帖的比较中，以及把这些字帖与其他书家的字帖相比较中，探究黄庭坚的书风变化。除了在书法领域的成就外，黄庭坚在诗词领域的成就也是有目共睹的。黄庭坚创立的江西诗派盛极一时，是宋代诗坛的风向标。黄庭坚在学习杜甫诗词额过程中不断的创新，这点也受到了日本学者的关注。
[Abstract]:This article mainly discusses Huang Tingjian's book style change and his achievement and influence in other fields. Huang Tingjian is one of the few calligraphers with great innovative consciousness in the history of Chinese calligraphy. After studying "bury Crane", he has established the characteristics of his large character script and formed the rudiments of the unique style of books for Huang Tingjian. Then, influenced by Yan Zhenqing, Chu Suiliang, Wang Xizhi and others, they tried to find out how to form their own unique style of writing. Although the works of this period can still vaguely see the shadow of predecessors, but Huang Tingjian has been looking for a breakthrough. Huang Tingjian's official career in middle age is not good, encountered a derogation and demotion, but perhaps because of such a life situation, the mood of Huang Tingjian after being demoted to Qianzhou slowly began to bland, this point is shown in his works. According to Huang Tingjian's book style change, I mainly divided into two stages, namely the study stage and the innovation stage. From the point of view of research, I chose to compare Huang Tingjian's style of books by studying Huang Tingjian's "block letters, lines, and grass" separately. The dividing line was before Huang Tingjian was 50 years old, and in the early stage, Huang Tingjian mainly focused on learning and imitating. This also for the future calligraphy innovation laid a solid foundation. In the middle age of Huang Tingjian, the Huangshan Valley's Xingkai and the running script are representative, and this period I summed up as the budding period of Huang Tingjian's unique style of writing. Huang Tingjian has been constantly exploring on the road of innovation, because of the accumulation of time, Huang Tingjian finally formed his own unique "valley body" in cursive script. Huang Tingjian, who is in his old age, has given up his ambition and can say that everything has been ignored. Of course, this has something to do with Huang Tingjian's contact with Zen for a long time. Is driven by this mentality, Huang Tingjian's cursive more free and free, momentum is more grand. In studying the changes of Huang Tingjian's style of reading, I selected several representative characters in the Yellow Valley, such as "Wang elder epitaph draft", "Song Feng Pavilion", "all the above posts", and so on. From the comparison of these posts, as well as the comparison of these words with those of other calligraphers, this paper explores the changes of Huang Tingjian's style of writing. In addition to the achievements in the field of calligraphy, Huang Tingjian's achievements in the field of poetry is obvious to all. The Jiangxi poetry school founded by Huang Tingjian was the vane of poetry in Song Dynasty. Huang Tingjian's innovation in the process of studying du Fu's poems has also attracted the attention of Japanese scholars.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J292.1

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