朱熹书法批评理论钩沉——以《晦庵论书》为例
发布时间：2019-05-09 04:11
【摘要】：朱熹书法批评理论受理学的影响,一方面,强调"心画之正",要求"一点一画,皆有法度",另一方面,强调"书如其人",要求书写者具备温柔敦厚、典雅从容的儒者气度。同时,朱熹的书法批评理论不乏"内在矛盾",值得注意。本文以《晦庵论书》为例,对朱熹的书法批评理论拟作钩沉。
[Abstract]:Zhu Xi's theory of calligraphy criticism is influenced by Neo-Confucianism. On the one hand, it emphasizes the "integrity of heart painting," and demands that "1.1 paintings all have a law." on the other hand, it emphasizes that "books are like their own people," and that writers are required to be gentle and generous. An elegant and leisurely Confucian demeanor. At the same time, Zhu Xi's calligraphy criticism theory is not lack of "internal contradictions", which is worth paying attention to. In this paper, an example is given to Zhu Xi's calligraphy criticism theory.
【作者单位】： 西安工业大学;
【分类号】：J292.1
[Abstract]:Zhu Xi's theory of calligraphy criticism is influenced by Neo-Confucianism. On the one hand, it emphasizes the "integrity of heart painting," and demands that "1.1 paintings all have a law." on the other hand, it emphasizes that "books are like their own people," and that writers are required to be gentle and generous. An elegant and leisurely Confucian demeanor. At the same time, Zhu Xi's calligraphy criticism theory is not lack of "internal contradictions", which is worth paying attention to. In this paper, an example is given to Zhu Xi's calligraphy criticism theory.
【作者单位】： 西安工业大学;
【分类号】：J292.1
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