小典故背后的文化沉思——从芭蕾舞剧《红罂粟》的命运谈起

发布时间：2018-02-26 05:27

本文关键词： 芭蕾舞剧《红罂粟》中国形象苏中文化关系政治“兄弟” 文化“他者”　出处：《俄罗斯文艺》2012年01期 　论文类型：期刊论文

【摘要】：1949年新中国代表团访苏时,斯大林指示莫斯科大剧院专为中方排演了芭蕾舞剧《红罂粟》,意在强调苏中友谊。不想由于其中的文化被相互误解,几乎导致一场政治风波。而半个多世纪之后,中苏两方不同的历史见证人在回忆录中却对这同一历史事件有着差异较大的回忆。本文拟以此差异为切入点,寻找回忆裂缝中显现出来的微妙的文化心理,对两国在20世纪50年代极为密切的外交关系表象之下的文化疏离进行沉思。"中苏蜜月期"间苏联文本中的中国形象,是政治的"兄弟"和文化的"他者"。
[Abstract]:When the New China delegation visited the Soviet Union in 1949, Stalin instructed the Moscow Grand Theatre to rehearse the ballet "Red Poppy" for the Chinese side, with a view to emphasizing Soviet-China friendship. He did not want to be misunderstood because of its culture. Almost led to a political uproar. But more than half a century later, different historical witnesses from China and the Soviet Union had quite different memories of the same historical event in their memoirs. Looking for the subtle cultural psychology that emerged in the rift of recollection, contemplating the cultural alienation of the two countries under the appearance of very close diplomatic relations on 1950s. The image of China in the Soviet text during the honeymoon period between China and the Soviet Union, Is the political "brother" and the cultural "other".
【作者单位】：陕西师范大学文学院;
【基金】：教育部人文社科基金项目“1949—1959年苏联《真理报》对中国形象的建构模式和文化隐喻”(10YJCZH065)之阶段性成果
【分类号】：J733

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