高淳傩舞“桠溪跳五猖”研究

发布时间：2018-02-28 04:06

本文关键词： 傩舞桠溪跳五猖象征符号非物质文化遗产保护　出处：《东南大学》2015年硕士论文　论文类型：学位论文

【摘要】：傩舞,是一种以鬼神信仰为核心,通过面具等道具沟通人——神,并以祈福禳灾、请神逐鬼为目的的祭祀舞蹈。长期以来,学者对舞蹈的研究,只是单纯的对纯舞蹈本身的研究,比较关注舞蹈的精致、典雅、工整和纯艺术的审美咀嚼,而往往忽略非艺术化的行为企求。因此,在我们解读舞蹈背后的文化意义时,应将其置于更为广泛的社会民俗语境中去考察研究。南京高淳傩文化资源丰富,桠溪跳五猖作为傩文化的重要遗存,蕴藏着丰富的文化内涵。1956年桠溪跳五猖参加了江苏省舞蹈会演,得到专家的赞赏并获奖。1985年,高淳县桠溪跳五猖被选入《中国民间舞蹈集成》(江苏卷)。2007年被列入南京市第一批非物质文化遗产保护名录目；2009年,又被列为江苏省第二批非物质文化遗产名录项目。但是,对高淳地区傩舞的学术性研究仍存在较大缺口。本文选取桠溪镇的傩舞跳五猖作为研究对象,通过通过文化人类学与艺术研究相结合的研究方法,更多的关注到舞蹈与其他文化事项的联系。运用符号学、象征及隐喻学说,对桠溪跳五猖舞蹈中的道具及行为方式进行多角度的文化阐释。第一章是对桠溪跳五猖生存环境的解析。笔者多次前往高淳桠溪镇,通过田野调查探究自然环境、人文环境以及当地人民的信仰观对舞蹈的发生及变化产生的影响。第二章笔者通过当地老人的描述结合历史文献记载,从人类学和社会学的角度揭示桠溪跳五猖文化功能的变迁,并具体地对当代跳五猖的动作、阵型、道具及仪式进行分析。第三章运用符号学的理论方法,解读桠溪跳五猖中的文化符号,剖析傩舞的文化功能,进一步理解当代语境中桠溪傩舞的文化变迁。第四章将桠溪跳五猖与同样祭祀祠山大帝的傩舞跳幡神以及江苏省内传播范围最广的傩舞跳财神进行比较研究,探究桠溪跳五猖的文化特点。第五章,笔者对桠溪跳五猖的保护现状进行研究,从非物质文化遗产保护角度出发,探讨新的保护模式。
[Abstract]:Nuo dance is a kind of sacrificial dance which takes the belief of ghosts and gods as the core, communicates people and gods through masks and other props, and requests God to banish ghosts. For a long time, the study of dance by scholars has only been a simple study of pure dance itself. More attention is paid to the exquisite, elegant, neat and pure artistic aesthetic mastication of dance, while the non-artistic behavior is often neglected. Therefore, when we interpret the cultural meaning behind the dance, It should be studied in a wider context of social folklore. The Nuo culture of Gaochun in Nanjing is rich in resources, and Jiaxi Jaowu is an important relic of Nuo culture. In 1956, Jiaxi jumped five rages to participate in the Jiangsu dance show, received the appreciation of experts and won the award. In 1985, Gaochun County Jiaxi Jaowu was selected into the "Integration of Chinese Folk Dance." in 2007, it was listed as the first list of intangible cultural heritage in Nanjing, and in 2009, it was also listed as the second batch of intangible cultural heritage list items in Jiangsu Province. There is still a big gap in the academic research of Nuo dance in Gaochun area. More attention is paid to the relationship between dance and other cultural issues. The use of semiotics, symbolism, and metaphorical theory, The cultural interpretation of props and behavior patterns in the five- rampant dance of Yaxi is carried out from various angles. The first chapter is an analysis of the living environment of Jiaxi Jaowu. The author went to the town of Gaochun River for many times to explore the natural environment through field investigation. The impact of the humanistic environment and the belief of the local people on the occurrence and change of dance. Chapter two: the author combines the historical documents with the description of the local old people. From the angle of anthropology and sociology, this paper reveals the changes of the cultural function of Jaixi Jaiwu rampant, and analyzes the action, formation, props and rituals of the contemporary Jaiwu epidemic specifically. Chapter three uses the semiotics theory method. Unscrambling the cultural symbols in the five rages of Yaxi, and analyzing the cultural functions of Nuo dance, Further understanding of the cultural changes of Nuo dance in the contemporary context. Chapter 4th makes a comparative study of the five- rampant dance of Yaxi, the banners of the Nuo dance of the same sacrificial temple mountain the Great and the most widely spread Nuo dance of the province of Jiangsu Province, the God of Wealth. In Chapter 5th, the author studies the current situation of the protection of Jaixi Jaowu epidemic, and discusses the new protection mode from the perspective of the protection of intangible cultural heritage.
【学位授予单位】：东南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J722.29

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