晋国乐舞考略

发布时间：2018-04-26 04:12

本文选题：晋国 + 乐舞　；参考：《东北师范大学》2013年硕士论文

【摘要】：在当代文学艺术形式中，音乐与舞蹈是自成体系的两种艺术形式。二者有各自不同的载体、构成元素和表达方式。艺术学界普遍认为，在先秦时期，诗歌、音乐、舞蹈三者是结合在一起的，乐是音乐与舞蹈统称，即今天所说的乐舞。晋国乐舞是周代乐舞文化的个体反映，，晋国宫廷雅乐是西周宫廷雅乐的一个缩影，而《诗经·唐风》及《诗经·魏风》就是隐匿在文学中的晋国民间乐舞遗存。本文共分为三个部分。第一部分是论证晋国乐舞依存的环境及历史渊源。首先是晋国的自然地理环境。地处黄河中游地区的晋国属于亚热带气候，温和湿润，被疏松肥沃的黄土所覆盖，利于植被的生长和农作物的种植。其次是晋国的社会环境。晋国的社会经济发达，无论是农业、手工业、商业都取得了长足的发展，政治制度以分封制、宗法制为主，存在着严格的等级区分和地位尊卑，思想文化异常活跃。对外经常处在战争状态，宫室矛盾冲突跌宕。最后是晋国乐舞的历史渊源。晋国乐舞不是一蹴而就的，它与黄帝、尧、舜、禹的乐舞存在着必然联系。第二部分主要对晋国的宫廷雅乐和民间俗乐进行论述。晋国的宫廷雅乐与周代的宫廷雅乐如出一辙，而民间俗乐因地域性有所差异。首先晋国的宫廷雅乐主要从晋国的礼乐制度、掌管乐舞的乐官和乐工、乐器三方面进行分析。其次是对晋国民间俗乐的研究。《唐风》和《魏风》是晋国民间俗乐的真实记录和反映。对于晋国民间俗乐的论述主要从《诗经》概述；《唐风》、《魏风》的时间、地域考证；《唐风》、《魏风》的艺术特征三方面分析。最后是晋国的乐舞交流及乐舞思想。主要论述了晋国与其它诸国的乐舞交流状况；晋国乐人师旷、伯牙、优施和晋国的乐舞思想三个部分。第三部分晋国乐舞的演变与影响。晋国乐舞上承上古、下启秦汉，无论是三家分晋后的韩、赵、魏，还是历朝各代乐舞的发展都或多或少受着晋国乐舞的影响，以至于今天的山西民间舞蹈还与晋国乐舞有着千丝万缕的联系。这部分首先分析了晋国乐舞三家分晋后的演变。其次又论述了晋国乐舞对古代舞蹈发展的重要意义。最后研究了晋国乐舞对山西民间音乐舞蹈的影响。本文旨在通过对晋国乐舞的研究，探索晋国乐舞发展的历史现状和本来面貌，分析晋国乐舞形成的自然环境、社会环境和历史渊源，以更好地阐明晋国乐舞的历史地位和历史作用。
[Abstract]:In the form of contemporary literature and art, music and dance are two artistic forms of their own system. They have their own different carriers, elements and expressions. Art circles generally believe that in the pre-Qin period, poetry, music, dance, music is a combination of music and dance, that is, music and dance today. The music and dance of Jin is an individual reflection of the culture of music and dance in Zhou Dynasty, and the elegant music of the court of Jin is a microcosm of the elegant music of the court of the Western Zhou Dynasty, and the Tang Feng and Wei Feng of the Book of songs are the relics of folk music and dance hidden in the literature. This paper is divided into three parts. The first part is to demonstrate the environment and historical origin of music and dance interdependence in Jin. The first is the natural geographical environment of Jin. Located in the middle reaches of the Yellow River, Jinguo has a subtropical climate, mild and humid, covered by loose and fertile loess, which is conducive to the growth of vegetation and the planting of crops. Secondly, the social environment of Jin. The society and economy of Jin were developed, no matter agriculture, handicraft, commerce had made great progress, the political system was based on seclusion system, patriarchal system, there were strict rank distinction and status superiority, ideology and culture were very active. External often in a state of war, the palace room conflict ups and downs. Finally, the historical origin of music and dance of Jin state. Jin State music and dance is not accomplished overnight, it and Huangdi, Yao, Shun, Yu music and dance there is an inevitable link. The second part mainly discusses the palace music and folk music of Jin. The palace music of Jin Dynasty is the same as that of the Zhou Dynasty, and folk folk music is different in different regions. First of all, the court elegant music of Jin state is analyzed from three aspects: the ritual and music system of Jin state, the music officials and musicians in charge of music and dance, and musical instruments. Tang Feng and Wei Feng are the true records and reflections of folk folk music in Jin. The exposition of folk folk music in Jinguo is mainly analyzed from three aspects: the outline of the Book of songs; the time and region textual research of Tang Feng and Wei Feng; the artistic characteristics of Tang Feng and Wei Feng. The last part is the exchange of music and dance and the thought of music and dance. This part mainly discusses the exchange of music and dance between Jin and other countries; the three parts of the music and dance thought of Jin State, such as Shi Kuang, Bo Yan, Youshi and Jin State. The third part is the evolution and influence of Jin State Music and Dance. The music and dance of Jin were inherited from the ancient times, and the Qin and Han dynasties began. Whether it was Han, Zhao, Wei, or various dynasties, the development of music and dance of Jin Dynasty was more or less influenced by the music and dance of Jin. So that Shanxi folk dance today and Jin music and dance have inextricably linked. This part first analyzes the evolution of three Jin music and dance after Jin Dynasty. Secondly, it discusses the significance of music and dance of Jin state to the development of ancient dance. Finally, the influence of Jin state music and dance on Shanxi folk music and dance is studied. The purpose of this paper is to explore the historical situation and original appearance of the music and dance development of Jin State, and to analyze the natural environment, social environment and historical origin of the formation of the music and dance of the State of Jin through the study of the music and dance of the State of Jin. In order to better clarify the historical position and role of Jin music and dance.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J722.4

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