“行路舞剧”叙事特征及当前创作的隐忧

发布时间：2018-05-28 09:48

  本文选题：叙事特征 + 创作现象　； 参考：《艺术评论》2017年02期

【摘要】：正近年,涌现出了一大批"行路"题材的舞剧,其共同特点是,舞剧背景往往设定在某一段行程上,以讲述这段行程的人物和故事为主,随着行程的深入推动情节的发展。这与以往"时间、地点、人物"相对统一,以冲突推进情节发展的舞剧,有着较为鲜明的区别,类比"公路电影"之称谓,本文暂且称之为"行路舞剧",以探讨其特性及创作现象。
[Abstract]:In recent years, a large number of "road" theme dance plays have emerged, the common characteristic of which is that the play background is often set on a certain journey, mainly to tell the characters and stories of this journey, along with the journey to promote the development of the plot. This is quite distinct from the previous "time, place, and character" dance drama, which is relatively unified and promotes the development of the plot by conflict. It is analogous to the title "Highway Film". This article is called "Walking Dance Drama" in order to explore its characteristics and creative phenomenon.
【作者单位】： 湖南师范大学音乐学院;湖南师范大学工程与设计学院;
【分类号】：J723
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本文编号：1946240