符号学视阈下舞蹈语言研究

发布时间：2018-06-12 18:49

本文选题：舞蹈语言 + 符号学　；参考：《山东师范大学》2017年硕士论文

【摘要】：符号学是一门以符号为研究对象的学科,一般认知它为形式与内容的结合体,主要分析符号的表意行为及符号的意义。符号学家索绪尔认为,符号是一种关系,一种能指与所指的二元关系。能指是符号形式,所指是符号内容,即符号所指所能传递的意义表达。而美国符号学家皮尔斯提出的“符号的三分法思想”,则将符号定义为三元关系,即符号形体、符号对象与符号解释的三元关系,并在此三元关系基础上提出多种符号分类的三分系统,用于研究符号的意义表达。尽管他们的研究侧重各不相同,但基于同样的符号认知,他们所形成的符号系统即庞大而又复杂,且又与众多学科、领域交织在一起,可谓是一门跨学科性的科学。人类作为“符号”动物,与符号行为密切相关。人类的实践本身就是一种社会性的群体活动,过程中的讯息交流和行为沟通均是通过符号来实现的,舞蹈语言作为人类传递讯息的途径之一,与符号的交叉有其必然根源。故而借助符号学理论方法,以舞蹈语言为研究对象,对其存在的符号现象进行解读,继而阐释舞蹈语言的相关理论研究。本文从舞蹈语言与符号学、舞蹈语言的符号解读、符号学视角下舞蹈语言的发展再造与研究价值三部分进行论述,运用符号学家索绪尔、皮尔斯、格雷马斯、雅各布的经典理论知识,探寻舞蹈语言与符号学的相关理论支点,对舞蹈语言的符号类型进行归纳梳理,分析出舞蹈语言的符号化过程及符号化意义,并在符号学视角下对舞蹈语言的发展再造与研究价值进行发掘,对于舞蹈现象的科学阐释、拓展舞蹈研究的新领域、促进舞蹈事业发展有着积极的推动作用。通过本研究,笔者将各种符号学理论统摄为一个连贯的整体,与舞蹈语言紧密地结合在一起,并指出舞蹈语言在当今符号理论思想语境下给予我们的启悟。作为一篇跨学科研究,本文是对舞蹈语言中符号现象的整体性探索,旨在运用跨学科、多元化的融合化理论,拓展舞蹈研究的新思路、新途径,为舞蹈理论的研究与发展尽微薄之力。
[Abstract]:Semiotics is a subject which takes the symbol as the object of study. It is generally recognized as the combination of form and content. It mainly analyzes the symbolic ideographic behavior and the significance of the symbol. Saussure, a semiotic, argues that symbols are a relationship, a binary relationship between signifier and signifier. Signifier is the form of symbol, and it refers to the content of symbol, that is, the expression of meaning that the symbol can convey. American semiotics scientist Pierce put forward the idea of "the Trilateral method of symbol", which defined the symbol as the triple relation, namely, the triple relation between the symbolic form, the symbol object and the interpretation of the symbol. On the basis of the triple relationship, a three-component system for the classification of symbols is proposed, which is used to study the meaning expression of symbols. Although their research emphasis is different, but based on the same symbolic cognition, the symbolic system they form is huge and complex, and intertwined with many disciplines and fields. It can be described as an interdisciplinary science. As a "symbol" animal, human beings are closely related to symbolic behavior. The practice of human being is a kind of social group activity, the communication of information and behavior in the process is realized by symbol. As one of the ways to transmit information, dance language has its inevitable root in crossing with symbol. Therefore, with the help of semiotics theory method, taking dance language as the object of study, this paper interprets the sign phenomenon of dance language, and then explains the related theoretical research of dance language. This paper discusses dance language and semiotics, the symbolic interpretation of dance language, the development, reconstruction and research value of dance language from the perspective of semiotics, using the semiotics experts Saussure, Pierce, Graymas, etc. Jacob's classical theoretical knowledge, explores the theoretical fulcrum of dance language and semiotics, summarizes and combs the symbolic types of dance language, and analyzes the symbolization process and significance of dance language. And in the perspective of semiotics to explore the development and reconstruction of dance language and research value, for the scientific interpretation of dance phenomenon, to expand the new field of dance research, to promote the development of dance has a positive role in promoting the development. Through this study, the author unifies the various semiotics theories as a coherent whole, and closely combines with the dance language, and points out that dance language gives us enlightenment in the context of the current symbolic theory. As an interdisciplinary study, this paper is a holistic exploration of the symbolic phenomenon in dance language, aiming to expand the new ideas and approaches of dance research by using the interdisciplinary and pluralistic fusion theory. Dance theory for the research and development of the modest contribution.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J705

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