舞蹈编导性格与创作风格关系的研究

发布时间：2018-07-09 12:33

本文选题：性格 + 舞蹈编导　；参考：《山东师范大学》2017年硕士论文

【摘要】：舞蹈编导的创作风格是编导在一定的社会生活中探索与发现,逐渐形成于生活体验和舞蹈创作实践,它属于编导个人独特而稳定的心理特征。舞蹈艺术创作与科学家的研究活动迥然不同,客观事实是科学家进行研究的主要对象,而舞蹈艺术创作是从“我——舞蹈编导个人”出发,即在一个统一、完整、独特的性格里去求得初步解释,再现客观事物在舞蹈编导头脑中的主观印象。编导的创作风格与其自身性格有着密切的、不可分割的联系,一个优秀编导的作品必定有其独特、深刻、有力的舞蹈语言,他的舞蹈作品风格和精神既有内在气质,也有感知、情感回忆、形象思维、意志冲动等,并通过后天的实践经验、思想倾向、意识形态、艺术能力等心理特点,充分体现编导的角色,彰显编导的性格。本文从“性格”这个心理学角度来探讨舞蹈创作风格的内在精神,尝试通过分析舞蹈作品来探索舞蹈编导性格与创作风格之间的关系。论文的主体分为四章:第一章“编导性格及创作风格概述”,对“性格”、“编导”、“风格”三个基本概念进行系统化阐释,着重探寻舞蹈风格的种类及形成创作风格的特征,并在此基础上挖掘这三个名词间的内在联系;第二章“编导性格的形成与发展”,本章主要从生物学因素和环境因素以及性格的培养三方面来探讨性格的形成和发展的问题,从解读编导性格的形成与发展着手,进一步延伸到培养优秀性格的问题;第三章“创作风格中编导的性格体现”主要从编导创作风格中独特的审美观、创作风格与编导性格的对立统一及促生优秀作品的性格要素三个方面进一步论证创作风格与编导性格的内在联系;第四章“舞蹈编导性格对创作风格的推动作用”,本章主要论述编导性格与创作风格的交融推动了创作风格的发展,使风格更加鲜明,使舞蹈风格包含独特的情感,最终确定个性在舞蹈创新发展中的作用。
[Abstract]:The creative style of choreographer is the exploration and discovery of choreographer in a certain social life, which is gradually formed in the life experience and dance creation practice. It belongs to the unique and stable psychological characteristics of the choreographer. Dance art creation is very different from the research activities of scientists. Objective facts are the main objects of study by scientists, while dance art creation starts from "I, the choreographer individual," that is, in one unity and integrity. The unique character to seek a preliminary explanation, to reproduce the subjective impression of objective things in the dance choreographer's mind. The creative style of the choreographer is closely and inseparably related to his own character. An excellent choreographer must have its own unique, profound and powerful dance language. The style and spirit of his dance works have both internal temperament and perception. Emotional recall, image thinking, will impulse and so on, and through the acquired practical experience, ideological tendency, ideology, artistic ability and other psychological characteristics, fully reflect the role of director, show the character of director. This paper discusses the inner spirit of dance creation style from the psychological angle of "character", and tries to explore the relationship between choreographer character and creative style by analyzing dance works. The main body of the thesis is divided into four chapters: the first chapter is an overview of the editorial personality and creative style, which systematically explains the three basic concepts of "character", "editing and directing" and "style". On the basis of exploring the types of dance styles and the characteristics of their creative styles, the author explores the internal relations between the three nouns. Chapter two, "the formation and Development of Editing character", This chapter mainly discusses the formation and development of personality from three aspects of biological factors, environmental factors and personality cultivation, and further extends to the problem of cultivating excellent personality from the formation and development of interpreting and directing personality. The third chapter, "the character embodiment of choreography in the creative style", mainly from the unique aesthetic view in the creative style. The unity of opposites between creative style and choreographer's character and the character elements of excellent works to promote the development of creative style are further discussed in this paper. Chapter four, "the role of Dance choreographer's character in promoting Creative style", further demonstrates the internal relationship between creative style and editorial character. This chapter mainly discusses the combination of authoring character and creative style to promote the development of creative style, make the style more distinctive, make dance style contain unique emotion, and finally determine the role of personality in the creative development of dance.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J711

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