当代湛江傩舞面具的审美形象变迁
发布时间：2018-07-14 10:38
【摘要】：傩的最初功能是驱鬼逐疫。随着时代的发展,今天的傩活动除了继续保留这样的主要功能之外,还常常成为舞台或广场上展演的作品。因此,曾经主要用于祭神、娱神的傩舞渐渐趋向于娱人的功效,而傩舞中的面具也在发生着一些悄然变化。基于这样的现象,本文以湛江傩面具在当代不同时期的更新发生的变化而做个案分析,思考这种变化背后所承载的文化、审美等方面的深层原因,以期与同行共同探索。
[Abstract]:The initial function of Nuo is to exorcise ghosts and banish diseases. With the development of the times, today's Nuo activities not only retain such main functions, but also often become the works of stage or square. Therefore, once mainly used to worship the gods, the Nuo dance of the gods gradually tended to entertain the efficacy of people, and the masks in the Nuo dance were quietly changing. Based on this phenomenon, this paper makes a case study on the changes of Zhanjiang Nuo mask in different contemporary periods, thinking about the deep reasons of culture and aesthetics behind this change, in order to explore with colleagues.
【作者单位】： 广东舞蹈戏剧职业学院;
【分类号】：J722.29
，
本文编号：2121379
[Abstract]:The initial function of Nuo is to exorcise ghosts and banish diseases. With the development of the times, today's Nuo activities not only retain such main functions, but also often become the works of stage or square. Therefore, once mainly used to worship the gods, the Nuo dance of the gods gradually tended to entertain the efficacy of people, and the masks in the Nuo dance were quietly changing. Based on this phenomenon, this paper makes a case study on the changes of Zhanjiang Nuo mask in different contemporary periods, thinking about the deep reasons of culture and aesthetics behind this change, in order to explore with colleagues.
【作者单位】： 广东舞蹈戏剧职业学院;
【分类号】：J722.29
，
本文编号：2121379
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