民间舞蹈中的国家在
发布时间：2018-07-14 11:13
【摘要】：近代社会,随着现代民族国家的建立,国家权力的不断下沉,使原本在民间社会中自娱自乐、表达自我信仰的舞蹈形式也沾染上了浓厚的"权力技术"色彩。本文以湘西花垣县董马库村的接龙舞为研究个案,实证国家如何"在场"于民间舞蹈之中。研究结果表明,民间舞蹈中国家与民间的关系并非国家单向的作用力,而是呈现出一种双向的互动,国家征用与塑形民间舞蹈的同时,民间社会也巧妙地利用国家符号复兴自己的舞蹈文化,表达自身的诉求。
[Abstract]:In modern society, with the establishment of modern nation-state and the constant sinking of state power, the dance form of expressing self-belief has been stained with strong "power technology" color. This paper takes Dong Maku village of Xiangxi Huayuan County as a case study to demonstrate how the country is "present" in folk dance. The results show that the relationship between the state and the folk in folk dance is not a unidirectional force of the state, but a two-way interaction between the state requisition and the shaping of the folk dance. Civil society also skillfully uses national symbols to revive its dance culture and express its demands.
【作者单位】： 中山大学中国非物质文化遗产中心;
【基金】：2014年教育部人文社科重点基地重大课题《“非遗”保护与文化生态保护区建设研究》(项目编号:14JJD850002) 2014年国家社科基金课题《中华民族传统体育项目志(1990至今)》(项目编号:14BTY085)
【分类号】：J722.214
，
本文编号：2121465
[Abstract]:In modern society, with the establishment of modern nation-state and the constant sinking of state power, the dance form of expressing self-belief has been stained with strong "power technology" color. This paper takes Dong Maku village of Xiangxi Huayuan County as a case study to demonstrate how the country is "present" in folk dance. The results show that the relationship between the state and the folk in folk dance is not a unidirectional force of the state, but a two-way interaction between the state requisition and the shaping of the folk dance. Civil society also skillfully uses national symbols to revive its dance culture and express its demands.
【作者单位】： 中山大学中国非物质文化遗产中心;
【基金】：2014年教育部人文社科重点基地重大课题《“非遗”保护与文化生态保护区建设研究》(项目编号:14JJD850002) 2014年国家社科基金课题《中华民族传统体育项目志(1990至今)》(项目编号:14BTY085)
【分类号】：J722.214
，
本文编号：2121465
本文链接：https://www.wllwen.com/wenyilunwen/wdlw/2121465.html
