七世纪前汉地佛像服饰研究

发布时间：2018-01-27 16:35

本文关键词： 佛像服饰通肩式右袒式半披式垂领式褒衣博带式敷搭双肩下垂式　出处：《南京艺术学院》2007年博士论文　论文类型：学位论文

【摘要】： 佛像服饰是判别佛像发生时间、地域及文化属性的重要因素之一,其样式制定是以律典为参照基础,并不断地突破规制发生变化。本文着重于七世纪前(具体为汉魏两晋南北朝)汉地佛像服饰的考察,这也是中国佛像由萌生、发展,走向成熟的关键时期。主要从三个方面进行研究:一、分析佛教律典,对佛及弟子服饰的材料、形制、披着样式予以梳理。明确律典对佛与弟子服饰的规定,及佛像中有违规制的着装形式,并部分探究其发生的缘由。二、追溯佛像发源地印度佛衣的形式构成,为了解汉地佛像对外来摹本在服饰方面的继承与创新提供依据。三、对汉地各阶段佛衣样式进行具体分析,以明晰七世纪前汉地佛像服饰的渊源、风格样式、演变及其传播格局。
[Abstract]:Buddhist dress is one of the important factors to judge the time, region and cultural attribute of Buddha statue, and its style is based on the law. And constantly break through the regulation changes. This article focuses on the 7th century (specifically Han Wei Jin Southern and Northern dynasties) Han Buddhism clothing inspection this is also the Chinese Buddha by the initiation and development. The key period of maturity. Mainly from three aspects: first, analysis of the Buddhist code, the Buddha and disciples clothing materials, shape, style to be combed. And the Buddha statue in the form of illegal dress, and part of the cause of its occurrence. Second, the origin of the Buddha back to India Buddha clothing form composition. In order to understand the inheritance and innovation of the foreign imitations of the Buddhist statues in the Han Dynasty. Third, to analyze the style of the Buddhist clothing in each stage of the Han Dynasty, in order to clarify the origin and style of the costumes of the Buddhist statues of the Han Dynasty before 7th century. Evolution and its spreading pattern.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2007
【分类号】：J19

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