图像学的历史传统及其与现代的接轨

发布时间：2018-01-30 09:38

本文关键词： 中国传统文化音乐图像学历史文化传统外来文化因素包容吸纳学术创新　出处：《艺术百家》2012年06期 　论文类型：期刊论文

【摘要】：本文通过对中华民族古老悠久的历史文化传统(含图谱之学、金石学),引入西方国家的外来文化因素(含考古学、图像学)等进行综合分析与比较研究,提出传统与现代接轨(含大文化系统、图像学系统)的基本构想。认为充分地正视本国本民族品质优越的学术文化传统,自觉地继承弘扬和开发利用"金石学"这笔丰厚学术文化遗产的综合性、包容性理念与方法,充分吸纳融入世界各国各民族有关考古学、图像学等的学术精华,自主创新地构建和完善中国艺术图像学、音乐图像学等现代学术理论体系,既顺应世界学术文化发展的主流趋势,又符合我国"文化自觉、文化自信、文化自强"的文化强国发展策略,应是中国乃至世界各国寻求传统与现代接轨与学术文化繁荣发展的必然选择。
[Abstract]:This paper makes a comprehensive analysis and comparative study on the ancient historical and cultural traditions of the Chinese nation (including the study of atlas, the study of gold and stone, the introduction of foreign cultural factors (including archaeology, graphology) from western countries). The author puts forward the basic conception of connecting tradition with modern (including big culture system, image science system), and thinks that the academic culture tradition of our own nation's superior quality should be fully faced up to. Consciously inherits and develops the comprehensive, inclusive idea and method of carrying forward and exploiting the rich academic and cultural heritage of "gold and stone science", and fully absorbs the academic essence of archaeology, graphics and so on, which are integrated into all nations and nationalities of the world. Constructing and perfecting the modern academic theory system of Chinese art graphics, music graphics and so on independently and innovatively, not only conforms to the mainstream trend of the development of the world's academic culture, but also accords with our country's "cultural consciousness and cultural self-confidence". The development strategy of cultural power based on self-strengthening of culture should be an inevitable choice for China and other countries in the world to seek the integration of tradition and modernity and the prosperity and development of academic culture.
【作者单位】：杭州师范大学音乐学院;
【基金】：2010年度教育部人文社科规划课题“传统与现代接轨的中国音乐图像学研究”(项目编号:10YJA760029)成果之一
【分类号】：J120.9
【正文快照】： 我国有关“图像学”的学术研究,历史悠久,自成体系,作为专学,至少可以追溯到北宋时期的“金石学”。在当时和后世的一些金石学著述中,都涉及到对出土或传世的金石器物、石刻画像及其相关铭文的考证研究,当时学术研究的标准主要是“摹其形、录其文”,目的是“补经传之阙亡,正

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